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This film opens with the sense of juxtaposition and absurdity that are the basis of Magritte's paintings, and succeeds in contributing to the surrealist tradition through subtle and powerful manipulations of the filmed image.
Chase has appropriated the masterful car chase scene from Bullitt . The manipulation of the scene’s images and sounds allows the viewer to discover the classic film scene anew. The reconfigurations expose the artistry of the sequencing of shots and edits and the rhythms of the scene.
CUT appropriates 6 classic black and white Hollywood film clips from the 30's and 40s. The images and the sound are reconfigured through graphic and sequential interventions. The disruptions refocus and enhance our attention to latent aspects of the films and compel us to watch with heightened awareness and new appreciation.
A tribute to, and evocation of women no longer alive. The rituals of their daily lives are honored and memorialized through transformed images of flowers, woods, water and more. (Anita Thacher) LOST/ IN MEMORIAM's non-narrative domestic and natural imagery progresses through the rhythms and emotions of the accompanying piano music by Robert Aldridge. The rituals of women's daily lives are honored and memorialized. «...Anita Thacher's elegant, abstract tribute, LOST/ IN MEMORIAM: stylized images of tulips and waving grasses whose splendid sensuality are an apt elegy for the creative lives of friends loved and lost. Thacher evocatively quotes Virginia Woolf (A Room of One's Own): 'Great poets do not die; they are continuing presences.' Her film is dedicated to Francesca Woodman, Susan Loda, Susan Brockman, Yvonne Vera and Barbara Jarvis.» (Karen Cooper, Film Forum)
Short film by Anita Thacher
"A surrealistic film made with optical printed techniques about a young girl who acts as a guide on a journey aimed at recapturing childhood through the distortion of memory." - The Independent
“Anita Thacher's film was ignored by critics of avant-garde cinema because its lively deconstruction of pornography did not fit into any of the dominant critical categories of the time. »Lauren Rabinovitz
In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.
A gifted young teen tries to survive life with his dimwitted, dysfunctional family.
ER explores the inner workings of an urban teaching hospital and the critical issues faced by the dedicated physicians and staff of its overburdened emergency room.