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Twins still in their amniotic fluid announce our human condition, our compulsion to walk, move forward, run. When everything moves, we go through the forest of emotions in a dreamlike way. But it is thanks to water and its light reflections, to its transforming power that the infinite “Kosmos” plays with our uncertainty.
The Aleph is the point where diachronic and synchronic times meet, and each second represents a moment in life, from birth to death.
"The world is a tarantula ... a big, dark tarantula, moving around weaving its own web." A journey into myths and origins of the world with the grand dame of Argentine avant-garde cinema. See the Earth as it really is: A marble spinning in a sea of eternity.
Portrait of women where they look at the images of their own faces and reflect on that experience.
"Academia del fracaso" is a speculative aesthetic fact of a polemic nature, as Marta Minujín explains when she talks about her work. Portrayed in this film explaining the functioning of her participatory performance in 1974, the artist extends herself to reflect and talk about some things, many things, that make up the world and its ideas.
Marabunta, a ceremony in collective anthropophagy involving a six-meter skeleton completely covered in fruit and food, inside of which were live doves and parrots painted with phosphorescent colors that flew out as people were eating.
"the speed of time dissolves thought"
Documentary about Jewish colonizers in Argentina.
“ Cinema is what happens between frames," said German experimental filmmaker Werner Nekes. A woman and a man are on the ground together but it looks as though they are floating without moving. Silence overruns the scene; she stops and walks away. La Noche Bengalí is a documentary made as part of the seminar that Wernes Nekes held in Buenos Aires in 1980, sponsored by the Goethe Institute.
The Super 8mm film “Muñecos” (1972) — shot by the artist, Leopoldo Maler and Carolee Schneemann — combines recordings of a happening by Hirsch that took place in three cities: in Buenos Aires, London, and New York. In each, she is seen handing out 500 tiny baby dolls to bystanders, while candidly suggesting to everyone: “Have a baby!” This work was made in response to a period of strong pro-natalist and anti-contraceptive policies pushed by the Argentinian government.