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It tells the story of an Indonesian revolutionary who falls in love with one of his Dutch prisoners.
Partoyo, a big-time businessman, abandons his family because of work. A sociopolitical snapshot of Jakarta in the changing governance.
After hearing the mandate of Sukarno during the Second Asian-African Conference, an author named Suromo searches an art form to express the people’s hardship. Together with a failed painter named Rutaf and a film director named Kadjiman, these artists meet a man who works at the National Trade Bank. Interested in the arts, he helps to promote their activities.
Revolves around a conflict between two step -siblings Omar and Salim. Salim who lives in the village works on a rubber plantation inherited by their father. While Omar is in the city depending on the money sent by Salim to finance his extravagant lifestyle.
Husein is brought to trial after trying to commit suicide. He refuses to give an explanation until he is forced to. Then he begins his story. Husein enters university with help from his unmarried brother, Hasan, who dedicates his life for Husein and his sister Munah who has a heart ailment. But when Hasan meets Rahimah, Husein’s friend, Wahab, gets jealous as he considers her as his girlfriend. Wahab is very bitter about this and swears revenge. At Munah’s urging, Hasan marries Rahimah. Their happiness is short-lived since Wahab starts to woo Rahimah. After Husein punches Wahab, the latter starts spreading slander. He tells Hasan that Husein is sleeping with Rahimah. Jealousy and rage start to build up and Husein and the pregnant Rahimah are thrown out of the house.
A hero of revolution returns to civilian life to find the new society very different from the ideals he fought for.
Depicting the celebrated recapture of the town of Yogyakarta from Dutch forces in March 1949, by Indonesian youth of the resistance and members of the Indonesian army. Although it was held only for a few hours, it resulted in a UN resolution calling on the Dutch to leave.
Irma a.k.a Ananda must struggle through the obstacle of her life for which she might or might not earns something better for her life.
Husin bin Said (Udjang) suddenly got the inspiration to become a shaman. He put up a nameplate. So in droves of people came asking for help: people who intend to become cultural attaches, members of parliament, wives of officials whose husbands are dating again, producers, aspiring film stars, etc. For some reason, film producer Henry Bross (S. Bono) and aspiring film star Mimi (Diana Subroto) have succeeded in making Husin try their best to help carry out their intention. This story is also the main pillar of the film, besides being an opportunity for the director to mock the world of film. Moreover, then came Husin's friend, Pedro (Rd. Ismail), an old and unused performer who still had illusions about his triumph as an actor. Husin's house is next door to the family of Jaka Prawira-Mariam (R. Sukarno, Tina Melinda). To this house came their in-laws, RA Berlian (Edifah Hanoem), a controlling noble.
The wife of a European photographer on assignment in exotic Bali falls for an enigmatic ex patriot under the spell of a mystical death cult...