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Out of the names of twenty cities from Minas Gerais, Brazil, the impulse towards the visual record of the things and lives that are found there. Images that do not intend to represent places, but rather to capture the following of a time specific for certain situations of coexistence between landscapes and people.
People who didn’t know each other, simultaneously exchanged houses for 24-hours. Each one brought a portable video camera and had total freedom to film whatever they wanted in the home of this stranger during this period. Each participant tried to elaborate a 'mental image' of the "other" while along with their personal objects and their homely universe. At the end of the experience, each one gave a personal report on how theyimagined the “other”. "Two way street" is a project that deals with the reality of the urban individual who lives alone. It is an attempt to disorganize a little bit these realities. Using a video camera the participants insert their personality (through sight perspective) into the personality of someone else that is absent. Solitudes confound themselves at some point in the flow of looking at and being looked at, of absent presence and present absence, and of identification and differentiation.
A film that has waiting as its theme, registering it in its most varied manifestations. The waiting in a queue, the mystical waiting, the waiting for an actor to go on stage, the anguishing waiting for sleep, the waiting for hormonal effects in a gender identity adjustment. The time of waiting is confused with the time of life itself, in a world in which we are unlearning how to wait.
Three lonely drifters follow different paths on the roads of northeastern Minas Gerais, Brazil. A film about the connections between walking and thinking, in which the ever-changing nature of things turns life into a place of mere passing.
Freely inspired by the work Catatau, by Paulo Leminski, the plot begins with the historical hypothesis imagined by the poet from Curitiba: “What if René Descartes had come to Brazil with Maurício de Nassau?” The film materializes this hypothesis and joins the father of modern philosophy in his journey through the tropics. Under the effect of hallucinatory herbs, he investigates questions revolving around geometry and optics in the face of an absolutely strange world. Known for his famous sentence “I think, therefore I am”, Descartes faces his doubt towards phenomena reason doesn’t explain. René, Renatus, Re born.
"Fim do Sem Fim" is a feature-length documentary that has as its backdrop the imminent disappearance of certain trades and professions in Brazil. Shot in 10 Brazilian states, the film is a dive into the inventiveness and resistance of men in the face of technological and cultural changes.
Join the enchanting journey as a city awakens, its components harmonizing in a grand symphony of self-expression, where every brick, tree, and whisper shapes its own destiny.
The film gradually reveals the apparently isolated existence of Dominguinhos, a 72-year-old hermit who lives inside a cave that juts off from a rock mountain. The film is composed of long silences in which the hermit executes his daily chores, such as cooking and cleaning, and of images that transcend his territory. Towards the end we discover that silence is commonplace in the hermit’s life, the normal state in which time passes. Speech is the state of exception.