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With the President of the Republic very ill, an advisor offers an unusual suggestion: hire a double to replace him during his convalescence. The lucky chosen one is a member of the Comédie-Française but he is also shy, unexciting and often consigned to the supporting role...But a seismic change is about to happen in the Republic.
As death hovers, Dominique films precious moments of a great love story.
Corniche Kennedy. In the blue of the Mediterranean, at the foot of luxurious villas, the young kids of Marseille defy the laws of gravity. Marco, Mehdi, Franck, Mélissa, Hamza, Mamaa, Julie : girls and boys dive, take flight, take risks to experience life to the fullest. Suzanne devours them with her eyes from inside her chic villa. Their free bodies, their excess. She wants to be part of them. She will be part of them.
Single mother Nadia is surviving on welfare while transport strikes are paralyzing France in December 1995. While watching the news, she recognizes the father of her child among the strikers and decides to go and search for him. But she has nowhere to go. The film, shot almost entirely at night, carries documentary qualities, part of which is due to the appearances of actual railroad workers in several group scenes.
This film deals with the aftermath of the Algerian war of liberation. Georges Montero, an Algerian-born Frenchman, manages an olive canning factory in Oran. He travels to Paris for a cataract operation. Marinette, his sister, and Belka, his friend and a recent immigrant, want him to return to France permanently. Friction develops between the two friends as Georges is pressured to sell his factory. Friendship developed between Georges and his surgeon, who as a French Arab has severed ties with his culture and country of origin.
For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.
A woman, scared by motherhood and her new born baby, runs away from her home and family to find a shelter at her upstairs neighbour's place.
Here: France in 1987, there: Algeria in 1963. How can we accept this legacy? A film about memory through portraits of Dominique Cabrera's family. "Reflections on the feelings aroused in me by my Pied-Noir parents' experiences of the Algerian War."
Algiers. From the port to the souks, passing through the Jardin d'Essai, Dominique Cabrera transports us to the land where she was born, on the other side of the Mediterranean "where the sea is saltier". If most of the pieds-noirs left Algeria in the summer of 1962, some -a minority- remained. By going to meet them, the director makes her own inner journey.
In Paris, at an exhibition on the French writer, photographer and filmmaker Chris Marker (1921-2012), Jean-Henri Cabrera thinks he sees himself in a specific shot of the short film La Jetée, directed by Marker in 1962.