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Day 3 of the Ring Cycle. DVD release June 2009.
On a mission to Afghanistan, a military officer suffers a traumatic period in captivity. When he finally returns home, he finds his relationship with his family has changed forever. Icelandic composer Daníel Bjarnason and Danish director Kasper Holten transform Susanne Bier’s film Brødre into a captivating and vivid opera. Written to celebrate Aarhus as European Capital of Culture 2017, Bjarnason now conducts his bold domestic drama in his homeland for the first time.
Seebühne (or floating stage), with its 7,000 seat open-air amphitheatre, is the location for the French composers most successful opera. With a set designed by British artist Es Devlin, who has designed sets for stars such as Adele, U2, Take That and Kanye West, the stage sits on the water near the shores of the stunning Lake Constance in Austria. This romantic and dramatic setting regularly welcomes opera lovers from all over the world, where the productions are extravagantly original and innovative and frequently use the waters of the lake as an extension of the stage.
A captain is cursed to sail the seas of the world forever, only allowed to make landfall once every seven years. Will he find the love of a faithful woman to break the curse? The Flying Dutchman is Richard Wagner’s operatic breakthrough. In the production of celebrated director Kasper Holten, an urban environment and the tempestuous world of the international art trade are underpinned by Wagner’s evocation of the power of love and the sea. Recorded in 24 November 2016. Digital release 31st July 2020.
Day 2 of the Ring Cycle. DVD release June 2009.
Prologue to Ring Cycle. DVD release June 2009.
The story concerns the enlightenment of the Christian King Roger II by a young shepherd who represents pagan ideals. Kasper Holten’s production (The Royal Opera’s first) of Król Roger (King Roger) brought the opera back to the London stage after an absence of almost 40 years. Karol Szymanowski’s masterpiece powerfully presents the dilemmas of culture versus nature and man versus beast, and movingly depicts King Roger’s inner struggles as he moves from an impossible life of repressed desires to the other extreme, giving in to his own demons. Meanwhile, Roger’s people, seduced by the promises of the mysterious Shepherd, are drawn towards totalitarianism and repression. Antonio Pappano conducts Szymanowksi’s opulent and beautiful score, with a cast including Mariusz Kwiecień as Roger (one of the greatest interpreters of the role today), Saimir Pirgu as the Shepherd, and Georgia Jarman in her Royal Opera debut as Roger’s loving queen Roxana.
The impulsive and charismatic Don Giovanni travels through Europe seducing women, accompanied by his long-suffering servant Leporello. But when Don Giovanni commits murder, he unleashes a dark power beyond his control. Kasper Holten’s production is rich in both colourful comedy and exhilarating drama. Set designs by Es Devlin (Les Troyens) and costume designs by Anja Vang Kragh (Stella McCartney, John Galliano for Christian Dior), with video projections by Luke Halls and choreography by Signe Fabricius, portray the visually entrancing world of Don Giovanni. At the heart of the production are the beauty and invention of Mozart’s dazzling score, which ranges from gorgeous arias and dramatic duets to the brilliant layering of dance melodies that bring Act I to a virtuoso close.
Die Walküre (The Valkyrie), WWV 86B, is an opera in three acts by Richard Wagner with a German libretto by the composer. It is the second of the four operas that form Wagner's cycle Der Ring des Nibelungen (The Ring of the Nibelung). The story of the opera is based on the Norse mythology told in the Volsunga Saga and the Poetic Edda.[1][2] In Norse mythology, a valkyrie is one in a group of female figures who decide which soldiers die in battle and which live. Die Walküre's best-known excerpt is the "Ride of the Valkyries". DVD release June 2009.
A rarely performed bel canto gem, Rossini’s Semiramide returned to the Met for the first time in nearly 25 years during the 2017–18 season. Set in ancient Babylon under the reign of the mythic Queen Semiramis, the opera features political scheming, mistaken identity, divine intervention, and bloodthirsty revenge—not to mention one virtuosic vocal display after another. Soprano Angela Meade is the fierce title monarch, whose quest for power comes to a halt with the discovery that the object of her affection, the warrior Arsace—sung by mezzo-soprano Elizabeth DeShong—may actually be her long-lost son. Together, the two square off in a pair of dazzling duets and deliver some of the opera’s most challenging arias. Bel canto specialist Maurizio Benini takes the podium to lead a cast that also stars tenor Javier Camarena as the ardent prince Idreno, bass Ildar Abdrazakov as the scheming Assur, and bass Ryan Speedo Green as the stern high priest Oroe.