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When French painter Pierre Bonnard met Marthe de Méligny, he didn’t know this self-proclaimed aristocrat would become the cornerstone of his life and work. From this moment, she became more than just a muse for the “painter of happiness”, appearing in more than a third of his work. Together, they reached their artistic fulfillment thanks to a colourful love, different from the standards of their time, nurturing the great mystery around their relationship. Based on a true story.
On the eve of retirement, Émile delivers one final lesson about love and literature, urging his students to become the poets of their own lives. But is he still in love himself? Unable to answer, he returns home only to discover that his wife has left him. Émile must now live by the very words he’s been preaching, and thanks to unexpected encounters his life is turned upside down, helping him to reinvent himself.
Paulette Van Der Beck and her husband have been running the housekeeping school of Bitche in Alsace for many years. Their mission is to train teenage girls to become the perfect housewives at a time when women were expected to be subservient to their husband. After the sudden death of her husband, Paulette discovers that the school is on the verge of bankruptcy and has to take her responsibilities. But while preparations are underway for the best housekeeping competition TV show, she and her lively students start questioning their beliefs as the nation-wide protests of May 1968 transform society around them. Reunited with her first love, André, and with the help of her eccentric stepsister Gilberte and strict nun Marie-Therese, Paulette joins forces with the schoolgirls to overcome their suppressed status and become liberated women.
Claire is a midwife and has devoted her life to others. At a moment when she is preoccupied by the imminent closure of the maternity clinic where she works, her life is further turned upside down when Béatrice, her father's former mistress, turns up on the scene. Béatrice is a capricious and selfish woman, Claire's exact opposite.
Born out of wedlock early in the last century, Violette Leduc meets Simone de Beauvoir in postwar Saint-Germain-des-Près. An intense lifelong relationship develops between the two women authors, based on Violette's quest for freedom through writing and on Simone's conviction that she holds in her hands the destiny of an extraordinary writer.
The tragic story of French naïve painter Séraphine Louis aka Séraphine de Senlis (1864-1942), a humble servant who becomes a gifted self-taught painter. Discovered by prominent critic and collector William Uhde, she came to prominence between the wars grouped with other naïve painters like Henri Rouseau only to descend into madness and obscurity with the onset of the Great Depression and World War II.
Benjamin Ballon wants to be a filmmaker, and has devoted a large part of his life for the past few years to getting to the point of filming an independent movie. He has been encouraged by Carmen Maura (playing herself), an established star, who has agreed to appear in his first film, and it is her level-headedness, calmness, and general good sense that keeps the project moving along, despite Benjamin's inexperience and a very temperamental male lead. On one occasion when the male lead is hours late for a shoot, her calm is the only thing which keeps the crew from walking out. The title comes from Maura's habit of bringing homemade tortillas to meetings, and using them to get her way.
After murdering her abusive husband, a woman on the run develops a friendship with another widow.
Stuck in the corridors of time, Godefroy de Montmirail and his faithful servant Jacquouille are projected to a time of profound political and social upheavals: the French Revolution... specifically, The Terror, time of great dangers, during which the descendants of Godefroy and Jacquouille had their castle and all their property confiscated by arrogant aristocrats, fleeing and lifes hanging by a thread.