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Fitil is a popular Soviet/Russian television satirical/comedy short film series which ran for about 500 episodes. Some of the episodes were aimed at children, and were called Фитилёк, Fitilyok, Little Fuse. Each issue contained from the few short segments: documentary, fictional and animated ones. Directed by various artists, including Leonid Gaidai who presented his famous trio of Nikulin, Vitsin and Morgunov into the cast. It was called in USSR as "the anecdotes from the Soviet government".
The painful fate of a woman and a country. A TV version of Andrei Smirnov's tragic epic about a Tambov peasant woman.
Four former soldiers reunite 25 years after the war. Last time they saw each other on the Byelorussian railway station in the summer of 1945. Now they've come together to mourn the death of a friend.
In their youth, they loved each other, but broke up. Ilya got married, became a doctor, Sasha learned to become an engineer, got married. And now they are together again, at a small, deaf station. They introduced themselves as husband and wife. In fact, while he is married to another, and she has the experience of a failed marriage. For eight days they will be in a remote stop where no one knows them and no one will interfere with love...
Moscow, 1952, mid-October, the XIX Congress of the CPSU had just ended. A communal apartment on Bolshaya Pirogovka. In one of the rooms lives the Petkevich family: Ariadna with her husband Boris and her parents, professor of philosophy Peter Kazimirovich and his wife Angelina Fyodorovna. For those few months that remained until Stalin's death, the family experiences a series of dramatic events. But on a background of terrible time, antisemitism, fabricated "case of doctors", denunciations and snitches, there are people who live their lives without losing dignity.
Two young directors adapted the short stories of two Russian authors whose works had been banned for decades, and so their film ended up in the censor’s vault as well – for twenty years. Both tales look back to the post-revolutionary era: 'Angel' (Olesha) speaks tragically of the brutality and destruction of the time, and 'The Homeland of Electricity' (Platonov) captures its haunting grotesquery.
In 1957 French student Pierre Durand comes to Moscow to do an internship at Moscow State University. Here he meets ballerina Kira Galkina and photographer Valera Uspenskiy. With them he discovers the cultural side of Moscow — not just the traditional one, but the underground one as well. During his year in Russia’s capital Pierre lives an entirely different life than what he’s used to. But the internship and the experience of the Soviet people’s way of life are not the only things Pierre is after. He’s searching for his father, White officer Tatishchev, who was arrested in the 1930s.
The question is what to build — palaces designed to last for centuries, or cheap concrete blocks that offer a quick fix to the housing crisis. Behind each of these choices stand scholars, architects, and Party officials.
The film is about the hot war summer of 1944. A group of several gun crews defends a tiny bridgehead on the right bank of the Dniester. The fates of the main characters: the front-line soldier-battalion commander Babin, the young lieutenant Motovilov, the nurse Rita Tamashova and the rank-and-file gunners, soldiers, among whom are brave people, faint-hearted and scoundrels, unnoticed heroes, are shown in a setting of several hours of peaceful life before another violent attack of the enemy, after which not everyone will survive...