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Monika Treut explores the worlds and thoughts of several female to male transgendered individuals. As with Treuts first film, Jungfrauenmaschine, Gendernauts, enters a minority sector of San Fransisco culture. The characters in this film have a lot to complain about, and they do. They are people whose physical appearance (female) does not match their inner sexual identity (male). The subject is pinpointed in the film independant of sexual orientation. Leave your conservative hats at the door, this is going to need your special attention.
Wanda, a dominatrix who runs an S&M gallery on the Hamburg waterfront, must choose between her lesbian lover and an American trainee.
From feminist director and provocateur Monika Treut comes this eclectic collection of four short documentaries profiling unconventional women. One has Camille Paglia explaining her ways of thinking. One has Annie Sprinkle explaining her approach to performance art, which includes inviting audience members to view her cervix with a speculum. One interview investigates a professional woman's preoccupation with sadomasochism. The fourth documents the life adjustments of an F2M (female-to-male) sex change who looks like a dangerous biker, with slick black hair, a matching motorcycle jacket, and tattoos.
Pioneering trans writer Max Wolf Valerio talks about his life and experience of transition in this groundbreaking documentary short, one of the very first portraits of a trans man on film, directed and produced by noted filmmaker Monika Treut.
A queer anthology that explores sexuality, intimacy, and identity across age groups. Conceived as a collaborative project, the film brings together filmmakers from different generations, each directing a short segment portraying encounters between younger and older men. Through these stories, the film examines how attitudes toward desire, relationships, and queer identity shift over time. Moments of curiosity, misunderstanding, attraction, and vulnerability reveal both the gaps and the connections between generations shaped by different social climates. By juxtaposing perspectives formed in eras of repression with those emerging in more open contexts, the film reflects on how LGBTQ+ experiences evolve while shared needs for intimacy, recognition, and connection remain constant. The result is a provocative and intimate mosaic about age, memory, and the changing landscape of queer life.
A woman who is mourning the love of her life falls into a relationship with a mysterious stranger.
The sexual fantasies of women are explored by four female directors.
A confrontation with Camille Paglia, the infamous author.
Yi-Chun loves dancing. She attends ballet classes at her high school, with a lot of discipline, even if the exercises are painful. "Made in Taiwan" is a sensitive portrait of a 17-year-old Taiwanese girl who shares her very personal worries and joys with us. The young woman loves to eat, but every intake of food is watched suspiciously by her family; the slightest weight gain is a hindrance to her dancing career. Her voice-over tells of her school day, which is subject to a strict dramaturgy: the alarm clock rings at 5:45 am, she is often not home until 7 pm, then she does her homework, takes a shower and goes to bed - she has neither time nor energy for a boyfriend. The annual school trip to the seaside is the perfect escape from the routine: karaoke on the bus, sweets and a fairground make for a good atmosphere. Monika Treut observes the youthful hustle and bustle without judging it, always keeping a careful eye on her protagonist's face.
DIDN'T DO IT FOR LOVE is a documentary portrait of Eva Norvind, a.k.a. Mistress Ava Taurel, born Eva Johanne Chegodaieva Sakonskaya in Trondheim, Norway. The film follows Eva's many careers, from her time as a showgirl in Paris to becoming Mexico's Marilyn Monroe in the 1960s to establishing herself as New York's most famous dominatrix in the 1980s. Using clips from Norvind's Mexican films, stills from various periods, and interviews with friends, partners and family, Treut's documentary traces Eva's search for the wellspring of her obsessive and dark sexuality.