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Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.
Marie-Lou Fontaine, director of a nursing home in the Paris suburbs, defies convention by adopting the 'Humanitude' method despite her team’s resistance. Her encounter with Mari Morisaki, a terminally ill Japanese playwright, transforms her life. Together, they turn the facility into a symbol of resistance and humanity against the system’s limits.
Takumi and his daughter Hana live in Mizubiki Village, close to Tokyo. One day, the village inhabitants become aware of a plan to build a camping site near Takumi's house offering city residents a comfortable "escape" to nature.
Asako lives in Osaka. She falls in love with Baku, a free-spirit. One day, Baku suddenly disappears. Two years later, Asako now lives in Tokyo and meets Ryohei. He looks just like Baku, but has a completely different personality.
A young couple's announcement of their engagement to their friends is followed by a series of interactions and conflicts that forces everyone to reflect on their lives.
Four women in their thirties reevaluate their relationships, both shared and private, after a startling revelation concerning one's marriage forces each of them to ask one of life's biggest questions: "Am I who I want to be?"
A companion piece to Voices from the Waves Kesennuma that forms half of the second installment in a documentary trilogy on the Tohoku region, co-directed by Sakai Ko and Hamaguchi Ryusuke. It captures dialogues between closely-linked people in accordance with the directors' objective of passing on experiences of the Great East Japan Earthquake, which is inspired by the folk tale tradition of the Tohoku region.
The first part of a trilogy focusing on the northeast Tohoku region, co-directed by Sakai Ko and Hamaguchi Ryusuke. Impromptu interviews were carried out with disaster victims mainly along the Sanriku Coast, which had been ravaged by tsunamis several times prior to the Great East Japan Earthquake of 2011, and makes emotional discoveries within dialogues between close-knit people including families and workmates.
After his parents die, a teenager goes to live with his older brother. As his loneliness grows, he becomes engrossed in practicing modern dance with his classmate.
Yuzo and Mitsuki live together in Yuzo's small apartment, their constant companionship tender and indifferent in turn. Then Yuzo receives a call from Satsuki, a documentarian resolved to make a film about a now-distant family tragedy, and the three meet, to search for some way to account for their relationship with one another, the memories they share, and those they've kept to themselves.