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A French journalist receives a message from Martin Dressler, an Argentinean man she never knew. She travels to Buenos Aires to meet him, but he never shows up. She begins to investigate and learns about The Corroborators, a secret society that, at the end of the 19th Century, intended to turn Buenos Aires into an exact replica of Paris. In the 30s, they disappeared, but she believes that they are behind the disappearance of Dressler. And that they are after her.
Are we what others see, or are we what we allow others to see? Most likely it is the view of others which delimits our own identity, as a young divorced mother named Julieta convinces herself. This evening is like any other: her two young sons are roughhousing in their cramped apartment. They whoop and shout while their mother makes desperately futile attempts at the computer to concentrate on writing a report for work. Feeling intense pressure, Julieta tries to quiet the conflict but finds it difficult without a partner to help. The tense situation changes unexpectedly when her two-year-old falls and hurts himself. In this story of a mother suspected of hurting her own child, the movie investigates themes of motherhood, guilt, duty, the role of men and women, fathers and mothers
Carolina and Damian were made for each other, but they have different ideas about sex and love. Can they remain together?
On the banks of the city of Buenos Aires, among the rubble that forms the coast of her ecological reserve, she listens attentively to the confession. The rest, what follows, will be mere inconveniences and questions between a corpse and a double bass, between the imperfect city and its river, which will sow doubt about the resistance of its revenge.
Two friends walk together through the city and through their moods, ignoring everything that happens around them; the universe closes for each one in her lament, in her monologue of love. In this recurrence the reason for the pain is emptied and only the trace, the desolation, remains.
Within the framework of an office, a typical presenter shows us -on the one hand- the dramatizations and "scientific" foundations while -on the other- the fantasies and actions of its protagonists escape the genre, revealing an absurd story of power and concealment.
Nadia spends a few days in Mar del Plata, where she meets Pablo and Marta, although she's the only one who sparks her interest. While sharing dinner at Marta's house, the atmosphere becomes tense and Pablo becomes violent. The two girls leave and find the warmth they were looking for.
Left on the doorstep of a monastery as an infant, Marcelino was raised by the monks. He was well-cared for but lonely and missed having a mother. One day he found a special friend in the forbidden attic, hanging on a cross. A friend that would repay Marcelino's kindness by granting him one heart-felt wish.
Mariana and Julian are a couple that have been happily married for many years. They have two kids: Juan Maria and Bibiana. They are in love and are very successful in their professional lives. They have a wonderful sex life and in the foreplay that they enjoy in privacy, he tells her that she can have sex with other man if she tells him everything in detail.