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Fernando is on vacation with his friends at a country house in Ezeiza. They relax by the pool, drink, smoke, and reveal their deepest secrets while displaying a playful freedom, as if they were children at summer camp.
On the verge of achieving his dream career, Tomás allows his older brother Martin Farina an inside look at his life as a professional football player. Martin, never able to fulfill his own dream of playing football, steps into the world of Tomás and his teammates through the lens of his camera.
Raúl Perrone does not usually allow people to register his work. It represents an act of intimacy. However, Martín earns his trust and is allowed to take part in the shooting. Perrone's process of filmmaking becomes a testimony of both his role as a film director and a human being with his lights and shadows.
Esther Diaz discovers her own self & transgenerational sex attraction late in life. While « exploring » and after she decides to study again and gets a PhD with distinction. She acts and narrates her own true story and experience with a touch of subjective fiction.
It's three o'clock in the afternoon of an August Friday in the province of Corrientes. A few weeks before embarking on their graduation trip, a group of students in the last year of high school meets after school to decide who will receive the free trip to go to Bariloche.
The relationship between Martín, the filmmaker, and Mariano, a country man from the south of Argentina.
Old friends, family, reunions, business, scams, films... These characters carry out the art of arguing with the unobjectionable feeling of being right. 60 minutes and 5 chapters in which the protagonists give their all in order to win their small epic battles.
Nicolás Barsoff, a young Argentine actor of Austrian and Russian descent, rescues a box of film reels just as his father was about to throw it away. He hopes the box will be the key to unlocking a tendency toward darkness that haunts him as part of an inevitable inheritance he tries to combat with natural medicines. Through the archive, we delve into the story of a family torn apart by World Wars I and II, immigration to Argentina, and the military dictatorship of 1976. His two grandparents are presented as antagonistic characters in the context of the disappearance: two ghostly figures in a genealogy that Nicolás will try to reconstruct.
A man awaits his execution by firing squad. His final wish before dying can only be granted by those standing before him: male soldiers.
Berger approaches Carnival with painterly precision and vitality, yet the focus is not on the parade itself but on the preparations - the anticipation, the hours leading up to the event where bodies let loose and transform. The film turns the eve into a source of mystery and visual delight.