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A dreamy fragment about the end of the world. A black girl wanders into a Hollywood western and mourns for the dead.
In this thought-provoking documentary, filmmaker Madeline Hunt-Ehrlich delves into the rediscovery of Edmonia Lewis's monumental sculpture, The Death of Cleopatra (1876).
An actress, three months post-partum, reads through fragments of the archive of Suzanne Césaire as she prepares to perform excerpts of the writer's work.
Too Bright to See (Part I) weaves archival materials with cinematic narrative scenes filmed with an unconventional and modern cast. Drawing inspiration from Caribbean aesthetics and Surrealist artwork, this film installation brings attention to new aspects of Roussi-Césaire’s legacy that are undocumented in the public arena, while addressing the broader question of the continued erasure of women from historical accounts. Hunt-Ehrlich’s experimental narrative artwork draws on her extensive research on the legacy of Suzanne Roussi-Césaire, a writer and anticolonial and feminist activist from Martinique who, along with her husband, Aimé Césaire, was at the forefront of the Négritude movement during the first half of the 20th century.
The film explores the history of the United Order of Tents, a clandestine organization of black women in the 1840s, during the height of the Underground Railroad (a network of secret routes and safe houses established in the US during the early to mid-1800s, and used by African-American slaves to escape into free states and Canada).
A short film and a spell of protection.
Through a collaborative writing process with filmmakers, three women bring to life “The Command Center to Bring Women Home,” an imagined space run by formerly incarcerated women for those with nowhere else to turn but to each other, a place where mothers can reunite and heal with their children, and women are able to hold and comfort one another.
Through a campaign of fabulous surprise attacks, an underground band of radical queer HIV+ activists, addicts, and drag queens take to the streets of New York City to combat conservative politicians and government apathy towards the AIDS crisis.
A semi-fictionalized documentary about a day in the life of Australian musician Nick Cave's persona.
Captured during Billie Eilish's sold-out world tour, a concert experience from one of the most celebrated and successful artists of her generation, presented in immersive 3D.