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Amal (Hope) is a film co-directed by Arab and Jewish filmmakers and inspired by true events. Amal is a mother who sets out to rescue her son Samer from his preordained fate. When her son is involved with a shooting incident in the village, Amal acknowledges that if the warring clan is not stopped, her son will become the next victim. She fights with all her might for a “Sulha” (reconciliation). But the threat of chaos looms large, and Amal faces powerful forces that tear her apart and engulf the entire village. In the end, fate proves stronger, and Amal is swept into the bloodshed she has fought so hard to prevent.
A family of Iraqi-Israelis, each with his or her own weaknesses and determination, gathers for an Independence Day picnic. Their background stories are presented, reaching back as little as a few days or as far back as the War of Independence and the old country before that, and interlocking in ways that even they never realize.
A black comedy which follows Ronen Matalon's journey to overcome his anxiety of terror attacks. Ronen uses writing and guiding a tour of terror-attack sites along Jerusalem's Jaffa Street to try and break free from his trauma.
Since the day Idan was born, his mother Iris promised him that by the time he celebrated age 13, he would meet his African father, Toni Toklomati, for the very first time.
No Jewish divorce is complete without the man literally giving the woman her freedom back. With Israel having neither civil marriage nor divorce, women can get trapped. The film follows several such "chained" women together with Batya, a religious lawyer, who embarks on a struggle against the rabbinical courts.
Gil Jibli, forensic sketch artist, reconstructs the faces of loved ones erased from the world and reveals how the human gaze transforms damaged memory into an act of love, repair, and healing.
Meir Eshel, a 22-year-old beach-boy from Southern Israel, buys a one-way ticket to Paris and re-invents himself as an artist calling himself Absalon. He quickly rises to art-scene stardom, showcased by the most prestigious museums worldwide: the Venice Bienalle, Centre Pompidou Paris, Tate Modern Gallery London, Israel Museum. Absalon’s success was short-lived – almost 7 years pass since his arrival in Paris until his tragic death, during the peak of his success at the age of 28. More than 25 years later, his younger brother Dani Eshel’s first assignment as estate manager – is to sell Absalon’s final art piece. Through his journey we learn about the life of a unique Israeli artist.
Melanoma My Love, smartly and constantly shifting somewhere between documentary and fiction, is a breath-taking drama. The film is based on the true story of the Israeli actor Yigal Adika and his wife Orit, who suffered and died of cancer. Yigal, a personal friend of the directors, plays himself in the film as Uzi and by doing so re-enacts this special period in his life. His wife is a ballet dancer and teacher. She is thirty and has been diagnosed with melanoma. With the help of her husband and doctors, she is able to believe in a favourable outcome and fights her illness to the end. The film closely follows this fight by concentrating on the two loving people, their tender relationship and the effect the situation has on the whole family.
The excommunication of Baruch Spinoza, the Dutch Jewish philosopher who revolutionized modern thought, is a formative, mysterious event in the understanding of his work. Director David Ofek takes us on an intercontinental journey tracing six reasons for Spinoza's excommunication. Between Amsterdam, the Hague, New York, Jerusalem, and Tel Aviv, he makes some surprising discoveries, and traces the figure of a man who continues to intrigue our culture with his ideas, which remain revolutionary, spiritual, and radical to this day. This is the 17th film in The Hebrews project.