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Winter. Somewhere between Tehran and Winnipeg. Negin and Nazgol find a sum of money frozen deep within the sidewalk ice and try to find a way to get it out. Massoud leads a group of befuddled tourists upon an increasingly-strange walking tour of Winnipeg historic sites. Matthew leaves his job at the Québec government and embarks upon a mysterious journey to visit his estranged mother.
Toronto, Canada, 1899. William Lyon Mackenzie King (1874-1950) fervently believes that he is destined to become Prime Minister, but to do so he will first have to fight his personal obsessions and overcome the many obstacles he will encounter on his tortuous path to power.
Haunted by visions of the future. Vilified by the political establishment. Charming beyond belief. Behold the dazzling ascent of Brian Mulroney, the “Boy from Baie-Comeau” who built a brand-new Canada.
Only the electrifying courage and love of Québec nationalism can save the citizens of Winnipeg from committing mass suicide.
A man confronts painful memories of a love affair now over. But he is perplexed by the appearance of a disgusting creature that he just can't get rid of. But can one really release oneself from the abominable things that haunt us?
This micro-epic short film is an inspired tribute to visionary avant-garde composer Walter Boudreau: his life, work, mischief, and boundless artistic curiosity. Both a documentary biopic and a wildly abstract hallucination, the film conceives of Walter Boudreau as a radical explorer, struggling against the inert mass of the cosmos, charting bold new paths of artistic freedom and audaciously expanding the frontiers of our known musical universe.
A bizarre video collage created from the ashes of Winnipeg's local television broadcasts of decades past, detailing the rise and fall of the Winnipeg Jets.
A found footage video essay tracing Winnipeg's civic pathologies, aesthetic fabulations and exquisite strangeness through the prism of its own low-budget, lo-fi TV advertising produced between 1975 and 1992.
In the idealism and mutation of his home town of Winnipeg, the filmmaker Matthew Rankin launches a failed campaign of absolute inter-human solidarity entirely in Esperanto, the artificial language of world peace.
Commissioned self-portrait of the artist as metaphysical remix of Abbas Kiarostami's "Close-Up" recorded on a cellphone.