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The kids at the slumber party are watching a manic interleaving of images culled from early-2000s anti-drug PSAs, zero-view YouTubes from the platform’s most un-Facebooked corners, found footage of garage emo bands, daytime TV ads from the ‘80s and ‘90s, and abject stock renderings of characters like Shrek and the Joker.
Paper Rad's ideal Saturday morning cartoon.
A showcase of Paper Rad's individual and group creations in the form of Trash Talking, a show for kids with bizarre characters trying to find their place in the world.
One part send up of consumer electronics, one part lamentation of the negative impact of the internet, and one part explosive collage of animation, found footage, and critical self-reflection. The hybrid sound of Extreme Animals intermingle with a hyperactive meditation on Apple products, rugged individualism, and the disturbing power of networked digital connectedness.
With a title hearkening back to the analog era, The Peace Tape is a frenetic remix of old and new "found" video. Culling his sources from thrift stores (countless straight-to-VHS childrens' programs), the Internet (a single YouTube clip featuring "dog in a dog costume"), and his own designs (flash animation of eyes and mouths, subliminal flickers of text), Ciocci concentrates hours of light entertainment into a dense, four-minute block. Saved from total sensory overload by the musical logic of Extreme Animals' "A Better Way," The Peace Tape is cryptic, hypnotic (and above all), empathetic. "Culture is out of control," Ciocci explains, "but it is ok."
a mash-up of re-edited YouTube clips and original flash animation, explores the conflation of cartoon violence and real or implied violence in the pop vernacular. Ciocci finds hybrid monsters of caricature/reality in hip-hop fashion (the front-zipping hoodie, embroidered with the gun-toting Elmo, Cap'n Crunch counting money, the crack-dealing Snow Man) and emulative teen culture (iconic viral videos of straight-faced youngsters dancing and lip-syncing to hip-hop). Just as errant Looney Tunes become sinister symbols in the everyday, YouTube flattens identity, and, as Ciocci explains, "makes cartoons out of everybody." Throughout, Ciocci overlays web video images with Flash animation of claws and bleeding bodies, in surreal disruption of the "live" video backdrop. The music is a remix of 2 Step by the band Extreme Animals.
DVD includes the shortfilm "Dr. Doo in Fucland", a making-of and a live show recording.
Mario's world is falling apart.
Single channel video, source material from YouTube.
Close-up photos of used consumer junk and animated doodles slowly pan across the screen as a pitched-down male voice attempts to confront his own mind: is he crazy or has society made him crazy? The only way out seems to be some kind of daily Sisyphean ritual of sorting through his damaged mind, and then trying to go the gym. But, the junk just keeps piling up. Who is to blame for this mess inside your mind? You don't actually have a problem, society is the problem.