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In the summer of 1987 in a town in Córdoba, two teenage sisters, Elena and Lucia, are alone at home. The youngest is upset with her older sister, who thinks about how to get out of that town, to study and to live differently.
Throughout Córdoba, Argentina, there is a wave of looting, and the police are taking several young people. In the midst of this hectic period, teenage Juliana becomes pregnant by her boyfriend, Lautaro. Juliana wants to have an abortion, but she is afraid to do it with pills and they do not have money to pay for an intervention.
High school teacher Carla investigates if accusations of harassment against Ricardo, her colleague and best friend, are made up by Daniela, problematic student. The situation revives old traumas from adolescence.
It's late morning and Franca is sleeping. Maria interrupts her, wakes her up and covers her, in an attempt to get her out of her apathy. Maria is a little drunk and excited after a long night of partying. Franca, on the other hand, is sad and going through a crisis. The two friends talk between places, about the comfort and intimacy they share, about transference, time and how life goes.
Argentina, 2001. In the midst of the economic crisis, Manuel and his family have to move to his grandmother's house. Caught in a strange war over the occupation of spaces, Manuel finds, in his grandmother, a particular way of resisting.
GIRLS ON FILM returns with eight award-winning short films from around the world. Inspirational short stories made by women, for women, explore female desire, empowerment and the realities of being a woman, a lesbian and a feminist today.
It’s not long to go until Cata’s 15th birthday and she’s getting more nervous by the day. Even her level-headed and reserved cousin from Sweden annoys her. But Cata’s moodiness gradually gives way to tentative feelings of affection.
Julia, an ex-actress, and her daughter Emma, move into a mansion in a village of Córdoba, Argentina. It's winter and Julia has to get the house into shape to sell it. Despite the time to have passed since her husband and Emma’s father died, they are still in mourning. The days go by gloomily. Grief has made Julia quiet and cool with her daughter. One night, Julia runs into Gaspar, a life-long friend. Gaspar tries to convince Julia to take part in a theatre competition. Julia, Emma and Gaspar find a way to rebuild their lives by starting a somewhat shaky project to form a new type of family.
Following a bust-up with her girlfriend, Emilia returns from the city to her mother's village, somewhere in Patagonia. Her mother isn't overjoyed about Emilia's return, as this disrupts her peaceful existence. Emilia tries to decide how she wants to carry on with her life, but is confronted with people and feelings from her past. Bored and frustrated, or just looking for intimacy, she seduces a number of men, including her childhood sweetheart, but also falls in love with a girl at the school where she teaches gym – an obsession that distracts her from her broken heart and musings about the future. In his first feature, director César Sodero contrasts Emilia's inner restlessness with the immutability of Patagonia. He does this using images of impressive landscapes, natural dialogue and telling non-verbal communication. Surrounded by the peace and beauty of nature, inner chaos gradually gives way to acceptance and self-awareness.