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Musician and Scientist from the Soviet Russia goes to Türkmenistan to explore and learn about Turkmen National Music. Whilst drifitng through the desert and writing down the music he learns, he comes the across the son of the legend: Karkara.
The film covers the period from 1903 to the mid-1920s. In the center of the epic narrative is the story of the difficult love of the poor Berda and the daughter of the shepherd Uzuk, who will be freed and made happy by the revolution.
The war years. Young Batyr takes on the responsibility of caring for his mother and newborn sister. The boy's father, a renowned dutar player in the village, has been killed in action. Batyr decides to master the complex art of dutar playing. However, with the ongoing war, there is no time for music schools in the rear. Despite the challenges, the determined young boy conquers the instrument, and his mother is overjoyed to see him grow into a responsible adult.
The film tells about the people who built a full-flowing river in the very heart of the Black Desert — the Karakum Canal, linking the waters of the Amu Darya and the Caspian Sea. Life and work in the desert are far from easy, yet the film focuses not on the harshness of everyday life but on the moral atmosphere within the working collective.
An Eastern shah and his vizier have no heirs. One day, they go hunting, intending to shoot a roe deer. At the last moment, the vizier notices that the doe was about to give birth, and the shah decides to spare the animal. That same night, the shah and the vizier have the same dream: it is as if the doe has foretold to them that both would soon have heirs.
Young women toiling in a factory are exposed to hazardous material which takes a disastrous toll on their health.
At the tense 1938 Munich Conference, former friends who now work for opposing governments become reluctant spies racing to expose a Nazi secret.
The warmhearted story of Polish immigrant and mathematician Stan Ulam, who moved to the U.S. in the 1930s. Stan deals with the difficult losses of family and friends all while helping to create the hydrogen bomb and the first computer.
In 16th-century Russia in the grip of chaos, Ivan the Terrible strongly believes he is vested with a holy mission. Believing he can understand and interpret the signs, he sees the Last Judgment approaching. He establishes absolute power, cruelly destroying anyone who gets in his way. During this reign of terror, Philip, the superior of the monastery on the Solovetsky Islands, a great scholar and Ivan's close friend, dares to oppose the sovereign's mystical tyranny. What follows is a clash between two completely opposite visions of the world, smashing morality and justice, God and men. A grand-scale film with excellent leading roles by Mamonov and Yankovsky. An allegory of Stalinist Russia