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Three chilling tales based on real stories expose the haunting depths of faith, fear, and the unknown — from a seafarer trapped on a cursed voyage, to an island plagued by a flesh-eating legend, and a young woman's battle against a legion of demons that pushes the limits of faith and sanity.
Isabel and Clara are two childhood friends separated by fate. Isabel is a naive provincial lass who works as an indigenous fabric weaver while Clara is the liberated city girl. Clara has gone wild after her mother runs off with another man. The two meet after years of separation when Clara returns to the barrio to visit her father, Roman. But their cultural difference further separates them as Lando, Isabel's boyfriend, enters into the picture. Lando, frustrated with Isabel's conservatism and idealism, turns his attention to Clara, which irked Isabel. Isabel, in turn, seduces Clara's father.
Thea, Rene’s wife, always invites her other man, Geoff, over dinner for them to make out in the house. But when a new woman, Camille, enters the picture, Thea’s wild and crazy gameplay changes.
Siblings Dolores and Isaac were known as the town's prostitutes But when a corrupt police officer holds them captive, they are forced to make a young girl named Lydia, the town's newest prostitute.
An ex-prisoner moves to an old apartment, where one gets to see in the middle of a domestic problem between a police officer, his wife and his daughter. When he tries to intervene, he will be caught in a mysterious curse.
A young woman, who just arrived in a barrio, falls in love with a married man. When people around them start to meddle, their forbidden romance is put to test.
A young girl feels that her stepfather is obsessed with her, so she confides to her boyfriend. But as her stepfather finds out about their relationship, his obsession goes to the extreme.
This avant-garde, associative collage equates the system’s relationship to Filipino citizens as a marriage. But instead of a wedding full of majestic gestures, we witness a tyrannical system led by a conductor-like figure representing colonial domination and a military regime. The work, which was created under German cinematographer Christoph Janetzko's direction, borrows on archived records from such classic Filipino documentary filmmakers as Nick Deocampo and Ricky Orellana.
The passenger ship Aurora mysteriously collides into the rocky sea threatening an entire island. A young woman and her sister must both survive by finding the missing dead for a bounty.
A young woman is stuck in the morgue - on her first day - working as an assistant to a pathologist when the dead begin to manifest signs of resurrection.