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Four guys from the outskirts of Moscow decide to make easy money - to overtake a car with stolen cargo inside. Not really thinking about the consequences, they make one mistake after another, and very soon they have serious problems with the law. Now there is no turning back, and in order to survive, four friends need to stick together at all costs.
The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.
These are the stories of the three guys,three friends, living in a city in the south of Russia. In the course of a year they recorded their everyday lives with a small HDcam. This record is what comprises the movie and to what it is dedicated. Our heroes are eighteen years old and they live average lives: work, have parties and, fall in love. But finally they will have to make those most important of personal choices which will define their future.
The main character of the film, Alexander Strizhenova, became famous in talk shows and tabloid media as the daughter of a Soviet actress, Natalya Strizhenova, who grew up without a father - but this is not mentioned in the film by Rastorguev. Sasha, beaten by life, when we meet her, lives in a cluttered and untidy village house somewhere in the Moscow Region with her husband, with whom they swear dirtyly in the presence of their young son Ilya. Sasha smokes, drinks and endlessly suffers from a lack of love and from the fact that no one can understand it. Three years later, the viewer again sees her life - in another place, with another man and with a new child, but in about the same circumstances.
A youth comedy about the tragedy of the first love. An experiment in the area of the film language. REC, accidentally pressed in the middle of a fight. Jealosies, breakups, reunions. A few bedroom scenes, shot with a home camera. Cries and whispers of the urban outskirts. The audience of the film are both Bergman fans and YouTube viewers.
On June 12, Vladivostok schoolboy Semyon Golubovsky came to a rally organized by Alexei Navalny. There, police officers approached him and took him to the police station. After that, Semyon was сhastised at his school and was told that he was putting an end to his future.
Schoolboy Semyon Golubovsky, Vladivostok. Students Egor Chernyuk and Oleg Alexeev, Kaliningrad. Entrepreneur Viktor Barmin, Yekaterinburg. Activist Violetta Grudina, Murmansk. Minibus driver Vladimir Semenov, Astrakhan. What unites these people? All of them are activists of regional headquarters created for the campaign of Alexey Navalny, who announced his self-nomination for the post of President of the Russian Federation. And all of them are the heroes of the film "Electing Russia."
Ufa tattoo artist covers traces of violence with flowers.
Yulia is sixteen, she lives in a hut and is pregnant. Vanya lives with his parents in a five-story building. His parents are against mesalliance and do not let the couple on the threshold.
A polyphonic conversation about love with juvenile prisoners, in which the main creative principles of the director immediately manifested themselves: endless tenderness for the characters and the rejection of any form of moralizing. Rastorguev accelerates and slows down reality, cuts it up with animation, but never enters the territory of video art, occupying some special place — between the realism of the "Theater.doc" and pure poetry.