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Marion is a low-level employee in a high end ready-to-wear clothing business. He has a sole obsession: to present a prototype he's made to his boss, Monsieur Charlie. Jeanette, who he's very fond of, is worried and looks for him everywhere, while Michel, who controls the merchandise, wants to tell Monsieur Charlie that something isn't quite right about this particular morning.
Pascale accompanies her Egyptian friend Amr on his rocky path to a residency permit. The system, authorities, lawyer, papers, paperwork, a language course. A refreshingly honest film full of solidarity about “the state of migration” and “se comprendre”.
A portrait of the filmmaker's 99-year old grandmother.
Paris, at the beginning of the 21st century. Edouard is a painter, Charles is a poet. The two artists are friends, but their adverse circumstances begin to weigh on them. Gulcan, a foreigner, suddenly appears. He has an idea.
For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.
A girl wakes up and heads to work in Pascale Bodet's first short film. Screened for the first time since it was shot three decades ago, Corps social demonstrates that something as simple as a meal or a bike ride can take on a playful and ineffable dimension. In her films, those moments in which seemingly nothing happens become a discreet but luminous choreography of everyday life.
A french 72 minutes documentary by Pascale Bodet.
Grafting, pruning, cutting, "L'Art", portrait of a gardener at work. A film titled like a Magritte painting.
A young, enthusiastic girl named Ondine walks into an art bookstore, asking if she can do her school internship there. She isn’t very lucky, though: the bookseller is a grumpy, brusque woman who puts her to the test with a customer while spouting her disillusioned rants about the death of art and culture. Will Ondine manage to convince the woman to take her on for the internship?