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A woman, who has been the mistress of a man who has just died, thinks about leaving the little Italian village where they lived and moving to another place. An old and rich man offers her a place in his house, however, she will have to listen to him telling his past love stories.
Puglia, southern Italy, around 1400. A convent is invaded by the Tarantula cult, whose fanatical and crazed members desecrate the sacred place by committing obscene and bloody acts.
Christina Fisher arrives in Sardinia to spend a holiday with her university friend, Francesco. As they are touring the island, they are trapped by mountain terrorists. Francesco is kidnapped, but Christina is permitted to leave. She is determined to contact the police, but is persuaded not to by Francesco's best friend, Gambino. Together they try to find the kidnappers, but she becomes suspicious of everyone including Gambino. Confused and paranoid, she sets out alone to contact the police.
Short fiction with clear influence from Pasolini’s films about a boy waiting in a room for the Juvenile Court verdict announcement in an hot summer day in Rome.
A short film by Gianfranco Mingozzi.
A documentary about the Italian cinema as art form and industry.
Set on the Orient Express train, which traveled from Ostend, Belgium, to Istanbul, Turkey, it features several characters whose destinies intertwine, each bearing their own burden of torment: race, sexual frustration, political failure, poverty. Among them are Carlston Myatt, a Jewish businessman, and Dr. Czinner, a Slavic politician who escaped a death sentence five years earlier and is intent on returning to Belgrade.
A behind-the-scenes documentary about director Michelangelo Antonioni as he's shooting his segment of The Three Faces, a vehicle for Soraya, the former empress of Persia. Featuring interviews with Monica Vitti, Tonino Guerra and more.
The time is the late 1920s, and Angelo and Tonino are two brothers traveling around the country in a rattle-trap truck, showing moving pictures to any group of people willing to pay. When they arrive in the region of Emilia-Romagna, Angelo strikes up a relationship with a wealthy marchesa connected to the fascist movement. Tonino, on the other hand, starts to follow the rebellious Giovanni, locked up for his anti-fascist stance, and the farmers who have joined in the anti-fascist forces. As the rebels are either murdered or put in prison, Tonino becomes more and more commited to their cause - especially after Giovanni is killed. When a silent movie on the condemned and dying Christ is shown on the brothers' screen, Tonino stops the action to project some slides he has taken that show who murdered Giovanni - in an action that calls for his brother and the rest of the bystanders to finally make a decision on where to place their loyalties.