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A temporary house for abandoned children near the front line in eastern Ukraine is run by a small group of social workers determined to provide comfort and safety. It may be humble and somewhat run-down, but this house is filled with love and offers up to nine months of refuge to kids whose fate will be determined by the system. During this short time, the caretakers try to nurture within them a sense of stability and normalcy.
Ruben (10) is one of the best fencers in the club. He has won nearly every title in Denmark, so this season he has to face some of the toughest and most talented fencers in Europe. A lot is a stake for Ruben and he has to find the strength within himself to overcome his anxiety and control his temper if he is to win the big european championship. Ruben's best friend Marie is fencing too, and alongside the drama that is played out on the fencing piste, an even greater story is unfolding about a friendship between a boy and a girl in their early teens - a time when many things change.
Hnutove, Donbass, eastern Ukraine, 2015. Young Oleg lives in a war zone where anti-aircraft gunshots and missile attacks often resonate dangerously near. Although many inhabitants have already left this dangerous area, he remains with his grandmother, who has cared for him since his mother's death, because they have nowhere to go. They are just waiting for the war to end.
The filmic approach playfully balances on the edge between documentary and fiction, thereby both underlining and adding to the theme of the film. The two directors have filmed Troels for 4 years, capturing all his ups and downs, the defining moments, both the hilarious and the sad. This material will be combined with Troels¿ video diary where we get even closer, and animation that will bring life to Troels¿ text and inner universe in a compelling and humoristic way. The animation is done by the artist Carl Krull whoose very distinctive style matches Troels¿ story and personality, combining darkness and humor, the grotesque and the beautiful. It will be subtly integrated into the filmed material, at times taking over completely. The story of Troels and the visual approach melt together.
Nastia is a gymnast in Kyiv, training intensively with her four teammates for the Ukrainian National Championships. At other times they make dance clips, perform acrobatic feats, and giggle a lot. Nastia knows that together they can achieve anything. But then the war breaks out, and Nastia’s parents send her to her grandmother in Germany, hoping that the separation will be temporary.
When 12-year-old Reshat looks around him, he sees the oil fields of Azerbaijan. When he looks up dreamily, he sees pigeons flying to heaven. He misses his father, who died a year ago, and who also loved these birds. Reshat cautiously approaches the best pigeon keeper in the village. Will he teach him to train pigeons? His father taught him that he should be kind to birds, because souls fly to heaven on their wings. While Reshat is learning all about pigeons, he discovers what he really wants. Part of the "Kids on the Silk Road" documentary project.
'Chikara - the Sumo wrestler's son' follows the 10-year-old Japanese boy, Chikara, and his struggle to become a Sumo wrestler. His father was a professional Sumo wrestler, so expectations surrounding Chikara are extremely high. Today his father owns a noodle-shop where he works a lot. Their only time together is when they train Sumo wrestling. It's a very valuable time for Chikara. He wants to impress his father, but when he's there, Chikara gets nervous and everything seems to go wrong. The national Sumo Championship is approaching and Chikara wants to do well. It's a story of a small boy in a tough sport, parental pressure and expectations, but above all, it's a universal narrative about the relationship between father and son.
A detailing of the rise to prominence and global sporting superstardom of six supremely talented young Manchester United football players (David Beckham, Nicky Butt, Ryan Giggs, Paul Scholes, Phil and Gary Neville). The film covers the period 1992-1999, culminating in Manchester United's European Cup triumph.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.