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Nonni and Manni is a children's television series produced as a joint venture between Iceland and West Germany. It debuted on 26 December 1988 on West Germany's ZDF channel and lasted for six episodes with the last one being aired on 1 January 1989. The story was based on the eponymous book written by the popular Icelandic children's author Jón Sveinsson, nicknamed "Nonni", who had written several books inspired by his own experiences of growing up alongside his brother Ármann, nicknamed "Manni". The filming for the series took place in Iceland, West Germany and Norway.
Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.
A drama shot on location in Reykjavík which deals with the pregnancy of a 16 year old schoolgirl and the effect it has on her life. This is an unusual look at a classic situation through the eyes of the young mother-to-be. Humour heightens the refreshingly new treatment of the subject matter.
In the 10th century, Jestyn, a young orphan with a Celtic father and Saxon mother, is captured by Vikings and sold as a slave in Dublin; his master, Thormod, frees him for good service and Jestyn sails to Denmark on one of his longships. On returning to Ireland, he finds Thormod's father murdered. Jestyn and Thormod swear to avenge him, and the search for the killers leads them to the Baltic and Kiev. In Constantinople, Jestyn, still searching for his roots and his identity, discovers a totally unknown Byzantine world. Drawn in, he remains there.
A political comedy about the effects of the apparent discovery of gold in the sands near a small community on Iceland's south coast. Troops from the American NATO base "invade" the territory, journalists from Reykjavik arrive and the morals of the local inhabitants quickly turn topsy-turvy.
The film is about travelling on horseback across the Icelandic interior on the main route, which once connected the north of Iceland with the shout. This route was the scene of a tragic accident in the 18th century, when young farmers moving a flock of sheep to the North, perished in a snowstorm. For many years following the incident the track was not used, until the 19th century, when Captain Daniel Bruun from Denmark, accompanied by a photographer and a water-colour artist, crossed the difficult terrain, deep rivers, and rocky heights in sun, rain, fog and wind, marking the way with stones laboriously heaped into cairns.
Based on the saga of Gísli Súrsson, one of the Icelandic Sagas. The attempt of a family head in 10th century Iceland to strengthen the fragile bonds within the clan through blood brotherhood turns into the opposite through suspicion and resentment. When the law of blood revenge has to be fulfilled after a murder, a fateful chain reaction is set in motion.
No plot found anywhere online.
Albert works in the meat section of a convenience store who falls in love with a woman who frequents the store.
Post-war provincial Iceland: around 1950, Freyja, who'd been a plump teen, returns from America, a widow with a 20-inch waist, seven suitcases of dresses, and a list of who ever wronged or slighted her. She moves in with an aunt and socialist uncle: finding a new husband is high on her agenda, and she's mistrusted by Agga, a pre-teen who's our eyes and ears. The social order and Freyja are more complicated than they seem at first, and so may be her prospects. Class divisions, families ties, pride, the onset of puberty, and the power of Eros sliver the ice.