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Among the many dramatic episodes of the siege of Sarajevo in the years 1992 to 1996, the story of a human safari has remained concealed from the public eye. Few people knew that those fighting the war on the Serbian side were not only the Bosnian Serb Army, volunteers and mercenaries but also a small, clandestine group: wealthy foreigners who paid high fees for the chance to shoot at the residents of the city under siege.
The film deals with the fate of children who, together with their parents, were imprisoned in the Teharje camp near Celje. In June 1945, they were separated from their parents and taken to the Petricek children's camp, and their parents killed and buried in unknown places without trial. Inside the camp, the guards try to rip out the old children's identity with various overhauling measures and to enforce them a new identity. Children lost their parents and childhood, and got wounded so deeply, they have not healed even until today.
Worker Maks Bigec decides to take things in his own hands when he hears that his factory will be closed. He takes the factory director as a hostage and demands that the state should reopen the factory.
Among more than 50,000 Slovenes who left their homes in Gorizia, Trieste and Istria due to the growing pressure of fascism and the economic crisis, around 60 families moved to Macedonia in 1931, to the village of Bistrenica on the Vardar River, 100km from Skopje.
Kovač and Dara, whose childhoods start badly, meet in an orphanage and get attached to each other. After ten years, when they are in their teens, and both share an immature view of the world, they accidentally meet again. Kovač is a gang leader, Dara lives a lonely life in her own enchanted world. Kovač's gang starts getting involved in more and more serious deals. When the rascals find themselves caught between loyalty to different mob bosses and running from corrupted policeman, their juvenile illusions disappear. The way back is hardly possible. Will the rascals manage to run beyond, will Kovac and Dara be able to save their wasted youths and begin new lives?
A Slovenian story about how the successful transition from socialism, as well has its dark side; many factories were ruined, workers became unemployed, and those employed are very often victims of ruthless exploitation. When I learned about what women have to sacrifice in order to keep their jobs.
An immigrant worker from Bosnia falls in love with the actress Nastassia Kinski. To be able to approach her, he has to become famous himself. That's why he sets off on a journey to fame in a black comedy with a twist in its tale.
Ulay is a conceptual artist whose photography pushed boundaries, and whose love affair with Marina Abramovic produced some of the best pieces of performance art. Diagnosed with cancer shortly after agreeing to film the documentary, Ulay's illness informs Project Cancer, which is part-retrospective, part-visual document of the year he believed could be the last of his extraordinary life.
An educationalist - a 'thief of childhood' becomes alarmed over the inappropriateness of old, fairy tale stories for children. The old book like the one about witches and monsters in her hands suddenly springs to life. Out from it escape Sophie the Witch and her companions: Black Claw, Gray Nightmare and the Red Straw Monster, as well as the water-sprite Aquiline, the shy little dwarf Tiny Peat, and the enchantress Lady Spider. They scatter among the town and woods and performed all kinds of mischief. Sophie just can't get her broom to fly, because she became too fat. The monsters, disappointed over the century in which we live, return back into the book, the witch Sophie loses her magic power and becomes 'Aunt Sophie', and Tiny Peat has changed into a black cat.
Feel for the Wind is about the power of poetry, about the wind, and about what lies outside our control. It is a poetic portrait of Prekmurje, through the masterful words of the Prekmurje poets Feri Lainček and Dušan Šarotar, interpreted on film by a Bela Krajina native Maja Weiss. In 2004, the publisher Franc-Franc issued a book called Feel for the Wind, which is a unique spiritual monograph of Prekmurje and, at the same time, part of a wider artistic project. The authors envisaged the project as an artistic journey following the feel for the wind, which is understood as a metaphor for silence, for mystery, for that complete otherness.