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Dharmesena Pathiraja's only Tamil language film, Ponmani (Younger Sister) is about a starkly different socio-economic culture and political climate. Set in the northern city of Jaffna, it traces the fortunes and concerns of an economically depleted upper caste, lower middle class family. An evocative film about land, women, romance and tragedy, narrated in an idiom of understatement.
In a fishing village, Anton Aiya is an exploiter who outwardly resembles and acts like a regular fisherman, but he exploits and feeds off the other fishermen. In this setting, members of the urban entrepreneurial youth. They have adapted to Western culture, dressing like Westerners and preferring Western music. Conflict arises between Anton Aiya and Baby Mahattaya (Victor), a representative of the urban youth. A middle-class leftist, Weerasena, is also part of this group. The arrival of these youths has clearly caused a social crisis requiring a solution, and all Weerasena can do is stand on a platform and deliver a speech that no one listens to. He finally leaves for the city.
Three young men have to face the realities of adult life as they move on from youthful frolicking to battle issues of unemployment, restlessness and the allure of the city. Two of them, Jaye and Gune, unlike their other friend who finds both a job and a wife, have only each other for company, In search of quick and easy money, they fall into hands of a scheming network of underworld figures.They become hustlers and decide to outwit their contact.
An unmarried couple try to raise money for an abortion, set against the bustling backdrop of Colombo.
This film is based on incidents that took place in the country within the last 20 years and the impact they caused on the lives of people. It also focuses on the wide-ranging problems faced by the youth of this country.The youth focused on are two young hired assassins, Lionel and Dhammika, who are hiding out while their deed is on every television. The same television also shows them John Travolta's violence in Pulp Fiction--strictly amateur stuff! While they are hiding in Colombo, Bandarawela and Ahatuwewa drink, try on hip-hop clothes, befriend an upper class girl. It's only a matter of time until their acts catch up to them. Will they escape once again?
During Sri Lanka’s Independence Day on its eve, the holiday and the day after, and involves the participation of four oppressed souls: a World War II veteran, a prostitute, her thieving pimp and a clerk who have chosen the base of a tree as their asylum from the spectacle of pageantry.
Loosely based on Franz Kafka's novella Metamorphosis 'Swaroopa' narrates the story of Gregory Samson and his family of father, mother, sister assisted by a maid within the social transformations taking place in late colonial and early postcolonial Sri Lanka.
The story unfolds even as its people embark on a long journey on 1st August, 1905 through place, land, territory, war and peace, home and state into the land of the unknown, to a no-man's land. Blurring the lines between fiction and reality, the film takes us on a 100-year journey, through history and memory, into the future.
A woman leaves a convent to become a governess to the children of a Army officer widower.