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The master of laziness takes a family man as his apprentice.
Ferhan Şensoy and Ortaoyuncular bring Aristophanes' immortal work, believed to have been written in 422 BC, to the present day. Şensoy adds his own interpretation to Aristophanes' satirical critique of the justice system, and we enjoy watching the play that emerges as he mocks the justice mechanisms of ancient Greece.
The most distinctive feature of this Ferhan Şensoy play, which is performed in a much sharper language than what today's stand-up comedians describe as an interactive game, is that it takes place inside a ship...
From Ferhan Şensoy, a humorous comedy with a high dose of laughter about today's technological revolution... With computerized communication entering every aspect of our lives, you will enjoy watching the play, which describes the alienation of society in a satirical language, and see what trouble the virtual world has brought upon us, accompanied by mischievous jokes... In the virtual realm, Şensoy satirizes digital emotions, declaring, "We are in the highly electronic F-type Internet world."
Ferhan Şensoy is back with a message from 1993! Ferhangi Şeyler, Ferhan Şensoy's one-man show, which he has been performing continuously since March 7, 1987, is an evaluation of everyday events through Ferhan's humorous lens.
Written by Ferhan Şensoy, Şu An Mutfaktayım (I'm in the Kitchen Right Now) is his 30th play, conceived for Derya Baykal as a one-woman show. Baykal's everyday life, as seen through Şensoy's eyes, gradually becomes generalized, offering a satirical view of contemporary Turkey through Şensoy's lens. The play bridges the local and the universal, engaging the audience in playful banter through its musical comedy.
Long-Pants Quixote, driven by the noble goal of reaching Trabzon, becoming its ruler, reuniting with his dream lover Dürdane whom he believes he will find there, and eradicating all evil in the world, decides to set off from Madrid, taking his squire Sancho with him. Although Sancho dislikes such aimless and meaningless journeys, he reluctantly follows his master, armed with a unusable bicycle. Using his cell phone to navigate, they traverse mountains and hills, battle cell towers, and finally arrive at Madrid Airport, exhausted and battered. With broken and dislocated arms, and having been severely beaten by a driver and his assistant from Ordu, they arrive at the Submission Cafe in Trabzon. While having tea and chatting with Temel, Tursun, and Teslim, Long-Pants Quixote listens to their complaints and proposes the idea of Trabzon's independence, an idea that is immediately embraced.
Ferhan Şensoy and his team perform their play, which takes place inside a ship, from inside the same ship for their audience. Ferhan Şensoy, a true wordsmith, plays the captain, and the ship's crew returns from a long voyage and sets sail for Turkey. When they see the state of the country, they decide to turn back, saying, "Take it, it's yours." Deeply troubled by the public's tendency to accept every new crisis as normal, Şensoy remarks, "In another country, the people would rise up and protest, but here, such things do not occur," and in his "Audience Logbook," he critiques the nation's issues using the vernacular of the people.