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Since the war in Gaza and the expanding occupation of the West Bank, a peaceful resolution to the conflict between Israelis and Palestinians feels more distant than ever. In this three-part series, the reporter Matthew Cassel travels along the 1949 Armistice border, or ‘Green Line’, once seen as the best hope for a resolution. He meets Palestinians and Israelis living just kilometres apart, but shaped by vastly different realities.
Field of Vision and The New Yorker have created a six-part episodic documentary, filmed in 2015, that immerses us in the Syrian refugee crisis. Matthew Cassel, an independent multimedia journalist and filmmaker based in Istanbul, follows the seven-month, obstacle-laden 1700-mile journey of Aboud Shalhoub, a Syrian refugee who has fled the dangers of wartime Damascus in order to build a better life for his family in the Netherlands. Cassel's colleague Simon Safieh remained in Damascus with Aboud's wife and two children, who eventually join him in Europe.
“The Soviet Story” is a story of an Allied power, which helped the Nazis to fight Jews and which slaughtered its own people on an industrial scale. Assisted by the West, this power triumphed on May 9th, 1945. Its crimes were made taboo, and the complete story of Europe’s most murderous regime has never been told. Until now...
A documentary about World War I with never-before-seen footage to commemorate the centennial of Armistice Day, and the end of the war.
Pete Postlethwaite stars as a man living alone in the devastated future world of 2055, looking at old footage from 2008 and asking: why didn’t we stop climate change when we had the chance?
The extraordinary story of how Hollywood changed World War II – and how World War II changed Hollywood, through the interwoven experiences of five legendary filmmakers who went to war to serve their country and bring the truth to the American people: John Ford, William Wyler, John Huston, Frank Capra, and George Stevens. Based on Mark Harris’ best-selling book, “Five Came Back: A Story of Hollywood and the Second World War.”
A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.
Amid the failing counteroffensive, a journalist follows a Ukrainian platoon on their mission to traverse one mile of heavily fortified forest and liberate a strategic village from Russian occupation. But the farther they advance through their destroyed homeland, the more they realize that this war may never end.
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.