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The movie's opening sequence takes place in 1921, towards the end of Russia's civil war, as the Red Army are vanquishing the last Menshevik forces of the White Guard along the western frontier.
It depicts the story of several Russian soldiers during the World War I and the Russian revolution.
During the 1920s, many impoverished Jews searching for a better life made their way to Birobidzhan, the Soviet Jewish Autonomous Region on the Chinese border. This melodrama tells the story of a Jewish family's immigration to Birobidzhan and their experiences as settlers on a collective farm in the area.
Follows the story of the 26 Artillery Division of the Soviet Red Army.
When Shura's sister dies, Shura starts taking care of her newly orphaned niece. Her fiancee, Grisha thinks the child may be Shura's own, and his suspicions estrange them. This leaves the way clear for a shy neighbor who has loved her from afar to gain points as a potential mate. Stenberg's design is simple and effective - a strongly-colored portrait of the pensive heroine at a table that provides space for the title and limited credits.
On the detention of fascist saboteurs and border violators by the collective farmers of Soviet Byelorussia. The main heroine, the actual "daughter of the Motherland", is the chairman of the kolkhoz, and has detained eight trespassers. But the main enemy may be lurking from within the borders.
The young teacher Lobanovich, who has just graduated from the seminary, comes to the remote Polessky village of Telshino to teach the peasant children to read and write. In the heads of seminarians persistently hammered into the idea that the Tsar-father endlessly cares about the common people, and the people respond to him sincere filial gratitude. Arriving in the village, the teacher saw a different picture. The Poleshuk people are beaten down, driven, living in mud, darkness, tightly entangled in a network of prejudices and superstitions....
The manager of the Belarusian collective farm Naideika Krasovich, inspired by the award at the All-Union Agricultural Exhibition for the high flax harvest, gives her word to double the harvest. Many fellow villagers doubt her success, and only Grigory Pavlovich, the new director of MTS, who left his family in the city and came to the village at the call of the party, provides Nadeika with all kinds of support and excessive attention, because he loves and, it seems, is loved. In parallel to this story, a plot develops about the love of the tractor driver Zosya for the forester Yanka, who unrequitedly suffers for Nadeyka.