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Convinced the tragic deaths of her loved ones were orchestrated by a famous novelist she worked for, Luciana turns to a journalist to expose her truth.
When her son is accused of raping and trying to murder his ex-wife, Alicia embarks on a journey that will change her life forever.
Near Luján, the Rerum Novarum music band, composer of former workers of the Flandria cotton plant, continues playing nowadays, in spite of the shutdown of the factory. The old musicians struggle with passion in the need to maintain an identity, in a present where the social values seem to have to disappear. The old workers-musicians, receive "Our Lady of Luján" playing "Oh, María", remembering the early days of the town, of the factory, and of their own lives. They recall an idealistic past, where a Flandria worker used to receive a salary equal to that of a bank manager. They visit the closed factory -once source for employment for thousands of workers- with the knowledge that the country that they helped to build no longer exists. The old musicians gather to enjoy their friendship in the celebration of the 63rd anniversary of the band, while they fight against the ghosts of the economical crisis and social disintegration.
Alicia returns to Chile to introduce her future husband, an eccentric young Spanish hipster who embodies modernity. His arrival causes a family upheaval, and the clash with the conservative Papi Ricky and the irreverent Catrala leads both parents to put aside their old differences and unite around a common goal: stopping their daughter’s wedding.
A journey through the hottest conflicts of the last Cuban decade. The fall of the USSR, the special period, the blockade, the visit of the Pope, prostitution, racism, the rafters, are just some of the themes that the most important plastic artists of the island address in a crude, direct and profound way. through his paintings.
Argentine audiovisual documentary based on a musical tour carried out between 2007 and 2008 by León Gieco along with a group of young artists with disabilities from different provinces of Argentina. The film combines music, singing, dance, and painting, along with the life stories of the protagonists.
Painter Lorenzo's life spirals out of control as he fears his wife is trying to isolate him from their infant son.
Octavio, a hunting guide from southern Argentina, desperately fights to clarify the death of his niece Sofía, discovered shot in the hunting preserve where he works. The shot bursts into the darkness, unleashing an enigma that shakes the entire town. Octavio will be forced to unravel what really happened that night and thus confront a truth that threatens to change everything forever.
This incredibly disturbing story follows the exploitation of an apprentice butcher, Hermógenes, and his trial after he murders his boss in broad daylight. Hermógenes, a farmhand from northern Argentina, relocates to Buenos Aires in search of a better life for himself and his young wife, but soon finds himself at the mercy of a corrupt boss. The film is based on a thorough investigation of a real event that happened in Buenos Aires 10 years ago. Almost every scene in the film is inspired by real facts or based on well documented daily practices of the “meat business” and its environment. Both a shocking exposé of unscrupulous practices in the meat industry and a heart-wrenching personal story, El Patrón became one of the most successful Argentine films of 2014.
Built against all the aesthetic canons of its time and inaugurated in 1923, the emblematic Buenos Aires building "Palacio Barolo" was commissioned by the Italian businessman Luis Barolo to a compatriot, the architect Mario Palanti, who would later build a "twin tower" on the other side of the Plata: the Palacio Salvo in Montevideo.