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A re-edited Italian-language dubbed version of the original Godzilla, using as a basis the U.S. version, "Godzilla, King of the Monsters!" (1956), plus WWII newsreel footage and clips from other science fiction films. The re-edited film was then colorized via a process called "Spectrorama 70" consisting of applying various colored gels to the black and white footage. The film's opening and ending also features new music composed by musicians Fabio Frizzi, Franco Bixio, and Vince Tempera (under the pseudonym Magnetic System).
The Austrian naturalist Johann Natterer (1787-1843) came to Brazil in 1817 as a member of the Austrian Expedition. The eighteen years he spent in the country resulted in an impressive collection of more than 50,000 objects.
Many Brazilians think that slavery ended with the signing of the Lei Áurea. But the relations of slave exploitation of labor persist until today. It is estimated that there are 369,000 Brazilians living and working as slaves. Through the testimony of modern abolitionists and rural workers who were victims of contemporary slavery, Servidão investigates the slave mentality of Brazilian society, which dates back to five centuries.
Maria was born on April 21st 1960, the same date as the inauguration of Brazil's new capital, Brasília. The film shows parallels in the lives of both Maria and Brasília.
"Pureza" tells a story of a mother, Pureza, who goes in search of her son, Abel, disappeared after leaving for the mining in the Amazon.
A modernist capital, from the geological formation of the Central Plateau to the present day, passing through the saga of its construction. Brasília is the result of a genius generation that wished to recreate Brazil, then still archaic, slave and colonial, in a modern, authentic and utopian Brazil.
The waters of the Atlantic brought the slaves from Africa to Brazil, their bodies in chains but their souls inexorably tied to mother Africa. This Brazilian- made film takes us to both shores, to show how spiritual life, dance and song came with the captive people and took root in the new soil. Among the many traditions were the language and gods of Yoruba and Jejes from the Republic of Benin. When a group of freed slaves returned to Africa to rediscover their roots they were looked upon as outsiders. They became tradespeople - tailors, accountants and builders- and they actually brought Portuguese culture to Africa. Today, when Brazilians revisit Africa, they teach the Africans the culture that these descendants of slaves keep alive in Brazil. The documentary is a testimony to some of the ironies of the diaspora.