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After 15 years together, Ale and Alex choose an unconventional way to part ways: by hosting a party to celebrate their separation. Their unexpected decision leaves friends and family confused, forcing everyone to confront their own views on love, relationships, and new beginnings in this bittersweet, heartfelt story.
Two friends debate the possibility of making their own Estrella Damm. Through the narration, it is one of them who explains the ingredients used in the making of this recipe.
Young Eva makes her decision to stay in Madrid for the month of August an act of faith. She needs to feel things differently and think of summer as a time of opportunity. On days of festivities and verbenas, while events and encounters take place, Eva will discover that she still has time, that an opportunity can still be given.
Trueba, while waiting to shoot Todas las canciones hablan de mi (2010), films his day-to-day life with a three-pixel camera that he presents in a twelve-channel multi-projection.
Manuela and Olmo meet in a future as they had promised fifteen years earlier as teenagers, when they lived their first love. Based on this romantic situation, La Reconquista is in fact a film on a quest for time; or about the awareness of time: of time lost and time recovered; about what we remember about ourselves and what we don't remember; about the words, gestures and feelings to which we remain faithful, because they define and compel us today, yesterday and tomorrow.
Quién lo impide is a call to change our perception of adolescents and youths; our idea of those born in the early 21st century who have recently reached adulthood; those who now seem guilty of everything as they themselves see their hopes dashed. Somewhere between documentary, fiction and pure testimonial record, the young adolescents show themselves the way they really are, the way we rarely see them, or the way they let us see them: taking advantage of the film camera to show off the best of themselves and renew our trust in the future; from fragility and emotion, with humour, intelligence, beliefs and ideas. Because the young people who speak to us about love, friendship, politics or education refer not only to their own situation, but to the things that always matter to us, at any age. Quién lo impide is a film about ourselves: about what we were, what we are and what we will continue to be.
Vito, Luis and Francesco are three Spanish friends around thirty who travel by van to Paris for no apparent reason, just looking for a reunion with their respective ancient, idyllic and yet ephemeral love affairs, perhaps with the only mission of surprising themselves and continue to still feel alive.
What some filmmakers do when they are not making movies: they waste time; they eat and get drunk; they take a walk after watching a movie; they fall in love; they are alone or with friends, building future memories for a future movie.