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A picture-story-show operator, accompanies her son, Akira, who lives apart from her, to a hot-spring medical treatment and spend a moment of brief happiness together, but eventually the time comes to say goodbye. The portrayal of the children and the atmosphere of the hot spring resort shine through in this film about a mother by master filmmaker Hiroshi Shimizu.
The day to day life in an establishment for delinquent teenage girls.
The story is centered around the devastating experiences of two villagers, Osaki Shuichi, and his cousin, Nishimiura Kinue, when they leave their hometown for the metropolis of Tokyo. They are in love with each other, but Kinue is expected to marry the lawyer Kanda Seiji. In consequence, Shukichi leaves for Tokyo, where he becomes tutor to the son of the rich Iwaki family. The heartbroken Kinue also makes her way to the capital, where she becomes a bar hostess.
A Japanese mountain inn patron's foot is cut by an ornamental hairpin accidentally left behind by a former patron, leading to much curiosity among the other patrons regarding her identity.
As an orphan, Yamauchi Fumiko was taken in by the politician Kawabe Sotaro and raised by him. Perhaps because of their similar circumstances, she fell in love with Murakawa Sadao, a young man who had also been cared for by Kawabe after losing his father. Standing in the way of their romance is Kawabe’s only daughter Kyoko. She was in love with Murakawa, and Kawabe had even given his consent to their marriage. Through Kyoko’s scheming, Fumiko was forced into a blind date with Miyata, a senior executive at Murakawa’s company.
Yuki is a young, single mother supporting herself and her son, Haru, with a job as a bar hostess.
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A city boy moves to the countryside and the kids there pick on him.
A pair of blind masseurs, an enigmatic city woman, a lonely man and his ill-behaved nephew—The Masseurs and a Woman is made up of crisscrossing miniature studies of love and family at a remote resort in the mountains. With delicate and surprising humor, Hiroshi Shimizu paints a timeless portrait of loneliness and the human need to connect.
The brothers of Children In The Wind deal with declining family fortunes: they must work when the father becomes sick, and eventually live with their grandfather, which means making new friends and struggling with a different environment.