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Independent filmmakers are given a chance to show and discuss their work on a commercial (ABC-TV) affiliate station.
An ethnographic documentary documenting the ritual warfare cycle, social life, and belief systems of the Dani people of the Baliem Valley in western New Guinea.
An ethnographic documentary following four Ju/’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.
“In the middle of the twentieth century, Blunden Harbour was a small village on the coast of Vancouver Island in British Colombia inhabited by a handful of impoverished Kwakiutl Indians who gained their meagre livelihood from fishing and gathering...It is a beginner's attempt to impart the rhythm and atmostphere of a place and a people.” - Robert Gardner
Short film photographed by Robert Gardner
I went to Ladakh in the vain search for a shaman. What I found was a species of Buddhist healing that involved trance and a variety of magical tricks of the healing trade.
In 1980, Jack Shae and Allen Moore, two ethnographic filmmakers from Harvard University, moved their families to the island of Berneray in the Outer Hebrides. Over the course of 18 months they documented the everyday lives and struggles of the crofters they lived among, whom were even then a vanishing breed. The film is in English and Gaelic. This carefully observed documentary by filmmakers Jack Shae and Allen Moore is a poetic ethnographic film in the style of their mentor, Robert Gardner (“Dead Birds”). It follows the rhythm of life on a wind-swept island in the Outer Hebrides through the four seasons and in the filmmakers’ observation of the day-to-day struggles of a vanishing society we see the deep-time legacy of their kind. The film is in English and Gaelic.
In the late sixties I picked up my seldom used Arri 35mm camera and set off for the famous tidal flats of Nova Scotia. This fragment is of an elderly farmer who fished a weir using his horse and carriage to go out to it with the ebbing time and home with the incoming tide. I thought I saw a nice structure for a film that even included the element of chase, that old standby of film narrative. Would the carriage get home before being engulfed by the incoming tide, would the fog appear and obscure all points of reference?
Between the fall of Rome and the European voyages of discovery, no event was more significant than the rise of Islam. Within the span of a few centuries, the Islamic empires blossomed, projecting their power from Africa to the East Indies, and from Spain to India. Inspired by the words of a prophet, and led by Caliphs and Sultans, this political and religious expansion has not been equaled in speed, geographic size, and endurance before or since.
Started as a class project in what was likely the first filmmaking course ever taught at Harvard, Marathon documents the running of the 1964 Boston Marathon.