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Singapore GaGa is a 55-minute paean to the quirkiness of the Singaporean aural landscape. It reveals Singapore's past and present with a delight and humour that makes it a necessary film for all Singaporeans. We hear buskers, street vendors, school cheerleaders sing hymns to themselves and to their communities. From these vocabularies (including Arabic, Latin, Hainanese), a sense of what it might mean to be a modern Singaporean emerges. This is Singapore's first documentary to have a cinema release. With English and Chinese subtitles.
In hot tropical Singapore, a traveler stumbles upon polar bears, a road tunnel grand opening and office workers in cubicles. Deadpan in tone, surprising in content, the film captures a mood of a place where time stands still.
The Chew family is one of 55,000 Singapore families forced to relocate the remains of their relatives to a columbarium as the gravesite is needed for urban redevelopment. The picnic mood of the family outing to move the remains belies the sadness and confusion everyone feels.
Tan Pin Pin employs a strictly external perspective for this portrait of her hometown, the tropical economic powerhouse of Singapore, interviewing political exiles in London, Thailand and Malaysia, who are to this day unable to return home.
The connections between three strangers living in Chicago's Rogers Park neighborhood are explored in this short film.
Crossings: John Woo starts with Woo's emotional homecoming to Hong Kong in 2004 to promote his latest blockbuster Paycheck. It leads you through his teen years where he made avant garde films, his apprenticeship with Shaw Brothers' martial arts director Chang Che, his coming of age as a director directing slapstick Hong Kong comedies through the 70s and 80s. It charts the genesis of the groundbreaking A Better Tomorrow starring Chow Yun Fat, a film that creates a new genre in Hong Kong cinema and launches Woo's career into the international arena.
Microwave takes a humorous jab at the world's obsession with everybody's favourite plastic doll. The film was done in a single shot and has screened in multiple festivals around the world.
Debbie Ding has been documenting survey markings and graffiti in Singapore. One particular set of graffiti catches her attention. Found in the back stairwell in Pearl Centre, Chinatown, the anonymous drawer roughly sketches a man and a woman beside a series of three numbers. Several of these same scribbles are found in different parts of the stairwell. What does it mean? What is the writer trying to communicate? Debbie, like a detective tries to decipher the meaning of these scribbles and she talks also of graffiti in general. Are these acts of vandals or are they notes from people seeking to communicate with others? Or are they acts of memorialisation by the writers themselves? Perhaps it is all three. Recently, Debbie excitedly reports, in the Bugis area near NLB, the same scribble. Has the Yangtze Scribbler moved?
Documentary about the exhumation of my great-grandparents's grave at Lorong Panchar, off Sixth Avenue in Singapore in 1995 because of a compulsory exhumation order. This video, completed in 1996, provided the basis for a later version of Moving House, 2001. My great-grandfather arrived from Xiamen, China in the late 1800s and opened a crockery shop at Clive Terrace, no longer extant, off Beach Road. My grandfather grew up at Sheik Madrasah Lane off Ophir Road.
Using the visual thesaurus, this animation ponders upon the word “Remember” to see where the word trail leads to if we take things to its natural conclusion. “Remember” leads to “Commemorate”, leads to… there are no wrong turns. Explore and see where we take you.