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Drylands could be anywhere, just as Marcélia Cartaxo could be many women (including herself). The actress is placed in a situation in which she encounters nature and other female figures, in some instances, her doubles. Out of these encounters spring other possibilities that operate in the world of representation, which, in the film originate from the same imaginary power as children's games in empty lots.
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During one night, a woman walks through Rio de Janeiro, and hears the music around: jazz, rock, eletronica...
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For the KOGI Indians, there is a great mirror that divides two worlds, the perceptual and the sensory. The abstract world of meanings is not what we sensorially perceive, but the world of what the KOGI call "aluna." This world is what gives meaning to the destiny of life.
For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.
Author Paula Gaitán's journey through the streets of São Paulo recording her songs and sound inventions as she walks.
She menage to save from a fire a bunch of pictures and a diary written by hand. Those words and faces becomes the last traces left from the man she one day knew and loved. Crossing mountains and roads, she tries to remake his steps. The places she vists bring people, gestures, memories and histories that slowly become part of her life.
A film like a monument: Luz nos Trópicos is a tribute to the rich greens of the Amazon and the forests of New England in winter, celebrating the indigenous peoples of continental America and flowing as a film as freely as a winding river.