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In a Russian coastal town, Kolya is forced to fight the corrupt mayor when he is told that his house will be demolished. He recruits a lawyer friend to help, but the man's arrival brings further misfortune for Kolya and his family.
Zhenya and Boris are going through a vicious divorce marked by resentment, frustration and recriminations. Already embarking on new lives, each with a new partner, they are impatient to start again, to turn the page – even if it means threatening to abandon their 12-year-old son Alyosha. Until, after witnessing one of their fights, Alyosha disappears.
Two young brothers in contemporary Russia are reunited with a father they know only from an old photograph after his sudden return from a long absence. With their mother’s reluctant consent, they set out on a remote trip that quickly becomes an uneasy test of authority, trust, and masculinity. As the journey moves deeper into the wilderness, the fragile bonds between father and sons are pushed to their limits.
The black room. Enclosed space. The action unfolds as if slowly. You understand that every word, every gesture of the heroes have a special, secret, as yet absolutely incomprehensible meaning. But you feel: you can't miss a single nuance. There are two or three heroes in each novel. There is a real drama between them, which ends with an explosion. Sometimes figuratively, and sometimes literally. Time is continuous: there is no yesterday and tomorrow.
While vacationing in the countryside at his childhood home, a woman suddenly reveals to her husband that she is expecting a child – but not his.
After suffering a heart attack, a wealthy elderly Russian man plans to will most of his estate to his estranged daughter. However, his wife has other plans.
A young boy picks up his father's camera, with which he accidentally films a dying romance between a man and a woman.
An anthology of five films of five minutes each by five well-known Russian directors, inspired and financed by the chewing gum company Wrigley.