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Poor Nastya is a Russian telenovela originally aired from 31 October 2003 to 30 April 2004 on the STS. Based on the imperial setting of the 19th century, the series reached international success and was shown in Ukraine, China, Israel, Serbia, Georgia, Greece, Bulgaria and more than twenty countries worldwide. With the budget of $11,8million, it is the most expensive Russian television project of all time. The sequel was planned, but had not been made yet.
A dramatic legend about the poet Mikhail Svetlov, based on the stage composition by A. Remez and P. Shtein, directed by the Moscow Theater of the Lenin Komsomol.
Simon Templar (The Saint), is a thief for hire, whose latest job to steal the secret process for cold fusion puts him at odds with a traitor bent on toppling the Russian government, as well as the woman who holds its secret.
Russia is at the dawn of great changes and the fate of a young man, Pyotr Cherkasov, who was forced to sacrifice his personal happiness to save the Motherland. In the center of events are bright and interesting characters, whose personal life history is woven into the history of European life. The interweaving of love lines, betrayal, jealousy, intrigue, exposing the enemies of Russia and the world order. Napoleon Bonaparte hatches plans to take over all of Europe. One of the most terrible wars in national history is approaching. In the meantime, the Russian people live in peace and ignorance. With the arrival of Prince Kuragin, the life of Peter changes forever. Emperor Paul I needs the best people to help Russia unravel Napoleon's insidious plans, and Kuragin, seeing Cherkasov's talents, invites him to go to St. Petersburg for military service. Cherkasov agrees, and now his life belongs to the Motherland.
Russia, 1936: revolutionary hero Colonel Kotov is spending an idyllic summer in his dacha with his young wife and six-year-old daughter Nadia and other assorted family and friends. Things change dramatically with the unheralded arrival of Cousin Dmitri from Moscow, who charms the women and little Nadia with his games and pianistic bravura. But Kotov isn't fooled: this is the time of Stalin's repression, with telephone calls in the middle of the night spelling doom - and he knows that Dmitri isn't paying a social call...