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Raquel Times Ten features 53 seconds of silent footage with actor Raquel Nave which has been duplicated from one VHS recording to another, and that copied to another VHS cassette, and that to another VHS cassette... in total, this sequence is presented ten times and with each duplication the image and the soundtrack quality deteriorate until Raquel's facial features are a wave of analogue distortion.
In 2003 Chris O'Neill spent a period of time in New York City where he shot several films on black and white 16mm film stock. One of these pieces was never completed. 15 years later, O'Neill went back to this unused footage and created an entirely different film using out-takes. The conventions of the narrative are discarded and the images - a mixture of a female face in close-up and tails and heads of film reels - become an exploration of the materiality of film.
In 2003 Chris O'Neill spent a period of time in New York City where he shot several films on black and white 16mm film stock. One of these pieces was a silent narrative piece. 15 years later, O'Neill went back to this footage and created an entirely different film using out-takes. The conventions of the narrative are discarded as the images are re-edited into style inspired by the 'cut up' technique pioneered by author and filmmaker William S. Burroughs.
Images and sounds of a vintage movie trailer are corrupted and warped into a bizarre experimental art piece of heightened intensity: the results are weird, sinister and humorous.
Slow motion imagery of a female face is duplicated and superimposed over itself. One of these image tracks plays in reverse; the sound of a female voice recalling the first time that she saw her lover is played over and over again, overlapping multiple times until it becomes a wall of intense sound; and the music score is an ambient electronic drone that glides along with the visuals and the dialogue. All of these elements come together to create a film that is a meditation on memory.
Bruce Conner's landmark experimental film consisting entirely of found footage edited to a new score.
A girl finds herself inside a fashion magazine – Joanna Hogg's graduation piece at the National Film and Television School starring a then unknown Tilda Swinton.
Upon his release from a mental hospital following a nervous breakdown, the directionless Anthony joins his friend Dignan, who seems far less sane than the former. Dignan has hatched a harebrained scheme for an as-yet-unspecified crime spree that somehow involves his former boss, the (supposedly) legendary Mr. Henry.
In San Francisco, a psychopathic gangster and his mentor retrieve heroin packages carried by unsuspecting travelers.
Mater, the rusty but trusty tow truck from Cars, spends a day in Radiator Springs playing scary pranks on his fellow townsfolk. That night at Flo's V8 Café, the Sheriff tells the story of the legend of the Ghostlight, and as everyone races home Mater is left alone primed for a good old-fashioned scare.