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A short animation film by Lewis Klahr.
This aint no Pixar. This is aint no Disney. This aint no foolin around. ANXIOUS ANIMATION presents six contemporary film artists who take us into surreal worlds of delirium and paranoia The reigning proponent of cut-and-paste, LEWIS KLAHR nourishes intensely private visions on the compost heap of collective fantasy through old magazines, comic books, and cocktail iconography.Complex, full of charm, and pervaded by themes of loss, JANIE GEISER simultaneously creates and deconstructs fantasies through doll-like figurines, cut-outs, and found objects in her cryptic narratives.JIM TRAINORs handmade animations explore the inner lives of animals that appear strangely self-aware even as they instinctually copulate, feed, fight, kill and die.The Bay Area collective of RODNEY ASCHER, SYD GARON, and ERIC HENRY conjure diabolical visions with digital savvy, accompanied by the manic music of Buckethead and DJ Q-Bert.
A striking elaboration on a signature style, with “story” all but evacuated, Circumstantial Pleasure’s six episodes proceed less like an album of potent recollections and more like a stream of agitated consciousness.
The series begins with Nimbus Smile, which depicts a love triangle in 1960s New York set to the Velvet Underground's 'Pale Blue Eyes.'
Klahr's City Film contemplates New York City rhythms, creating a tapestry of real and imagined street activities.
Created from contact sheets found in a thrift store in the East Village, Elsa Kirk consists of Xerox enlargements as backgrounds for a series of flat collages.
"Lewis Klahr's collage films have always mimed the processes of memory by pulling together the discards of contemporary life (images from ads, text books, or comic books, objects such as game pieces, menus, playing cards) into scenarios that seem like some Hollywood film dimly remembered. In Daylight Moon, he reaches even further back, to try to recall the moments in which a small child configures the world out of patterns of visual fascination, a mode of seeing that relies on touch and the feel of things rather than deep space. One of his most abstract films, Daylight Moon rarely reveals a human figure. Instead of characters, Klahr gives us the play of enigmatic spaces and empty sites that promise both the invitation of desire and the discovery of crime" Tom Gunning
“Kiss the Rain and The Street of Everlasting Rain are part of The Rain Couplets, a new subset of my ongoing Prolix Satori project. Like my other Couplets, they grapple with romantic love, time, and the nuances of repetition.”—Lewis Klahr
A short animation film by Lewis Klahr.