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By making the Elysée Palace the most coveted, and also one of the most mysterious residences in France, the founder of the Fifth Republic surely never imagined that his successors would discover the immense solitude of power there. De Gaulle, Pompidou, Giscard d’Estaing, Mitterrand, Chirac, Sarkozy, then Hollande: Each of them had the opportunity to experience the dizzying nature of supreme office in this 18th century palace with the appearance of a bunker. It is this intimate, solitary and silent history that is recounted here, through key events, previously unheard accounts, and rare archive footage. The film reveals above all how heads of state are capable of secretly walling themselves up in serenity, gravity, tragedy, or dignity, as they embrace their destiny along with that of France.
"What could be more unsettling than a man close to death whose profound arrogance drives him relentlessly to hang onto both his power and his writing, to the bitter end?" In the twilight of his second seven-year term, François Mitterrand was alone. Ravaged by illness and abandoned by a large majority of the Socialist Party, who would not forgive him for the disastrous outcome of the March 1993 elections, the Head of State was preparing to tackle a second round of cohabitation with the right wing. However a series of unexpected tragedies and revelations would arise, casting a shadow over the end of his reign…
Culture ... an affair of state, it is a historical novel journey to the heart of the Fifth Republic Cultural Affairs of France. Malraux, first holder of the ministerial office in 1959, to Catherine Tasca, in 2002, the film tells the scenes of major events during the cultural policy of the state: the case Langlois around the Cinematheque Landowski case-Boulez on the reform of music, the construction of Beaubourg, the Louvre, the conditions under which the music festival has been decided or that the cultural exception publicized. From archives, interviews or testimony, it is a political reading of unexpected contemporary artistic life which is at issue here.
This is the unlikely story of 21 ministers and prime ministers who have crossed or are crossing the french Fifth Republic today. Twenty-one politicians who, from one day to the next, find themselves at the head of a ministry by the grace of a President of the Republic and his Prime Minister. The formation of the government, conflicts of attribution, reshuffles, rumours of appointments, evictions, casting errors: it is all the capricious backstage of the games of power examined here under the angle of confidence and which sheds light on the prestigious but unknown function of minister. An original and instructive political saga on the reality of those who hold or have held this prestigious position.
Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.
"Bains de minuit" (Midnight Baths) was a late-night talk show hosted by Thierry Ardisson on La Cinq in the late 1980s, filmed in the famous Parisian nightclub Les Bains Douches. Ardisson interviewed personalities from the worlds of music, film, fashion, literature, sports, and politics, seated among the audience in the club's authentic atmosphere. The concept was to immerse these personalities in the world of nightlife and festivities, far removed from traditional television studios. The interviews were often irreverent and direct, with a provocative tone that would become Ardisson's trademark. He considers this show one of his freest and most audacious creations. It helped solidify his image as a cosmopolitan, transgressive, and highly scripted late-night talk show host.
Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.
Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.