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Four students in Shanghai have recently finished university. All are unemployed. Xu contemplates suicide but his friend Zhao talks him out of it. Zhao lives in a shabby room with just a flimsy wall of planks separating him from the room behind. Miss Yang, in town to take a factory job, moves in behind. Her nails into the wall knock Zhao's photos down. The unseen neighbours start playing tit for tat... Zhao gets a job as proofreader at a newspaper. He sees that pretty girl on the tram to work every day. He doesn't know her, but it's Miss Yang... Zhao is assigned to cover labour conditions for the paper. He is sent to a factory, the one where Miss Yang works...
The film concerns the misfortunes of an innocent woman, Ah Ling, who lives with her father in Hangzhou, where they rent a boat transporting passengers across the West Lake. Ah Ling is in love with Tie’er, a factory worker who takes her boat every day. The peaceful life is disrupted by the appearance of a playboy artist from Shanghai.
A hostess in Shanghai invites her secondary schoolmates to a reunion. They each reminisce about their lives, with some having difficulties in marriage or career. Some led destructive lives, while others contributed to the country.
Wang, a bankrupt farmer joins his cousin, Wu, in Shanghai, but finds that he is poor too. One day, Wu stops a woman - Zhang, a drug runner - from being run down by a car, and is hospitalized. During his recovery, Wu slims down due to the amount of drugs he is prescribed, which inspires him to create and sell a weight loss medicine.
In old Shanghai, two sisters, a prostitute and a singer, try to escape from the local scoundrels with the help of a trumpet player and a newspaper seller.
Twin girls separated at birth are reunited when the one raised in poverty becomes a servant in the household of her sister, now the pampered wife of a warlord general.
A taut wartime thriller, Red Crag: Life in Eternal Flame anticipates the paranoia and violence of the imminent Cultural Revolution while harking back to the aesthetic splendour of the Golden Age Shanghai cinema of the late 1940s. (This opulence is largely due to the work of cinematographer Zhu Jinming, the master visual stylist of Shangrao Concentration Camp and other key "Seventeen Years" films.) The film concerns a hard-boiled woman working in the Chongqing Communist underground during World War II, whose commitment to the guerrilla cause is only intensified after she witnesses her husband's head mounted on the city walls by the Nationalist forces.