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Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.
Taiwanese drama film directed by Pai Ching-jui.
Set in Shanghai in the 1940s. Story of a ballroom girl Jolie Chan who falls in love with a student and becomes pregnant, but the student's family force her to have an abortion.
Pai Ching-jui traveled to Italy in 1960 and enrolled in the prestigious Centro Sperimentale di Cinematografia in Rome in 1962, becoming the first Chinese student ever admitted to the institution. He graduated in 1963 with an experimental short film, Un Amore (鐘情者痴), which he wrote and directed himself — a playful work staging a "love scene" between an actor and a camera. He remains the first Taiwanese filmmaker to have studied cinema in Italy.
Pairs of best college friends, Shen Jung (Brigitte Lin) and Li Lun-mei (Chelsia Chan); Chen Cheng-hsiung (Chin Han) and Fang Juei (Alan Tam) meet at the tennis courts. Fang Juei likes the ebullient Li Lun-mei, but after hearing the contemplative Cheng-hsiung at a school concert, is smitten by his talents and looks. However, as fate would have it, Cheng-hsiung is after the studious and gentler Shen Jung.
Story of a US-educated scientist who returned to China, and suffered during the years of the Cultural Revolution.
The story of Lonely Seventeen centers on Tan-mei, a seventeen-year-old high school girl who comes from a wealthy family. The film begins with Tan-mei inviting her cousin, who is also her sister’s fiancé, Feng Tse (Ke Jun-Xiong), to come over to her place on a rainy night. However, Feng Tse secretly visits his mistress first and gets seriously wounded after a fight with the woman. When he tries to make a second stop at Tan-mei’s place, he loses control of his car and is killed in a car accident. After the death of Feng Tse, Tan-mei and the mistress start to behave strangely, and both of them are sent to the same mental health institute after their emotional breakdown.
Jointly and respectively directed by King Hu, Lee Hsing, and Pai Ching-Jui, three major Taiwan directors of the 1970s, this film consist of three shorts with the same cast of two actors and one actress, who through reincarnation meet in three different times.
An early Brigitte Lin Romance.
Classic slapstick comedy set in a Taiwanese apartment building.