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Tragic love story about the photographer and explorer Felice Beato who travelled back to Japan in 1895 to seek his former wife O-Kiku. On the way he describes in a nostalgic letter to his brother how much he yearns for his lost love O-Kiku and how impotent he feels in an ancient Japan subject to rapid change. The journey takes him to Nagasaki and Moji, Onomichi, Mount Fuji, Yokohama and Tokyo. Places he once visited with his beloved and where he now no longer understands the people. Felice...Felice... is inspired by hand-coloured nineteenth century photos taken by e.g. Felice Beato, Sjimooka Renjo and Baron von Stilfried. In this film, shot entirely in a studio, the photos depict Felice's journey. Awarded the Golden Calf for Best Feature film in 1998. (NFF)
In 1941, an Irish documentary filmmaker hears of a man named J.C. Sullivan, who may know the fate of the Hollandia, a Norwegian ship that sailed to Antarctica in 1905 and disappeared. Sullivan was the carpenter on that ill-fated voyage and is the last known surviving crewmember of the Hollandia. When interviewed, Sullivan presents the filmmaker with canisters of old film footage which back up his unbelievable tale.
Part of the series made for VPRO TV comprising films from the silent era. This part is a compilation of short films restored by the Netherlands Film Museum from the period 1897 to 1899. They were made by the Biograph & Mutoscope Company in Holland and abroad. The films were shot on the 68mm format that soon went out of fashion.
Documentary about the myth of the west.
Peter Delpeut, regular dramaturge of dance troupe LeineRoebana, this time enters the studio as a filmmaker. The result: a cinematographic choreography of close-ups and expressions in the intimacy of the rehearsal room.
A Faustian tale about an old woman who makes a pact with Mephisto to regain her youth, but in return she must stay away from love. After making the deal, she meets two brothers who fall in love with her.
Marina di Malombra (Borelli) lives in a castle prior to her wedding. She begins to read letters written by an ancestor called Cecilia. She finds out that Cecilia was driven to her death by her uncle. Marina identifies with Cecilia and take revenge on her behalf by murdering her uncle.
Thea is a sculptor who is diagnosed with tuberculosis before she marries Filippo. After abandoning him, her health begins to decline. She organizes a final party, inviting along her estranged husband. The film is considered to be lost, with only a fragment surviving in the film archive of the Cineteca Italiana.
A former silent film actor who has saved old movies of his time from destruction uses them to set up recreational performances at schools. After an accidental fire and the risk of prison, he meets a rich producer who helps him to build a film museum.
Carnevalesca with the beautiful Lydia Borelli is divided into four parts: white carnival - innocent and pure childhood, blue carnival - love and youth, red carnival - violent and destructive passion, black carnival - death and madness.