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A three-episode anthology film based on short stories by Brazilian writer Graciliano Ramos.
An amalgamation of accents and life experiences from different parts of Brazil reunited on the city of Brasília.
The rise of real life country singers Milionário e José Rico from their humble beginnings until musical success.
In the 1930s, novelist and politician Graciliano Ramos is accused of being a communist sympathizer. He is then arrested and sent to the Ilha Grande prison, where he experiences the disturbing treatment reserved for common prisoners.
In 1594 Brazil, a frenchman becomes a prisoner of the Tupinambás. While waiting to be executed, the foreigner learns the habits of the indigenous people and joins a woman who tries to help him escape.
A talented songwriter of sambas is forced to face the social injustices of the city around him.
A destitute family tries to escape the drought in the backlands of northeastern Brazil. Fabiano (Átila Iório), Sinhá Vitória (Maria Ribeiro), their two children and their dog Baleia wander aimlessly and almost hopelessly through the remote interior, surviving the forces of nature and the cruelty of men. An adaptation of the work by Graciliano Ramos.
A short film commemorating the 400th anniversary of the city of Rio de Janeiro. The short film was sponsored by the Barsa Encyclopedia (launched in 1964) and the Jornal do Brasil newspaper. The text, narrated by Paulo Mendes Campos, was written by Machado de Assis himself.
On a scorching summer day in Rio de Janeiro, five impoverished black boys venture out of their favela to peddle peanuts throughout the bustling city. As they navigate the various districts of Rio, they bear witness to a series of unfortunate events and encounters, unfolding a vivid tapestry of urban life in Rio de Janeiro during that period. These true misadventures shed light on the gritty reality of the city, unveiling its vibrant urban tapestry.
Documentary in two parts about Brazilian writer, journalist and sociologist Sérgio Buarque de Holanda. The first part describes how the author used to pass his days with family and friends, while the second offers a historical panorama of the times, including his reaction to Nazism and the years of Vargas’ dictatorship, and the arrival of the modernist movement in Brazil.