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Squish! is a meditation on the self through lurid and liquid forms; filtered through both old and foreseeable technology informed by Thai animation history and contemporary culture, and a constant process of constructing and deforming new selves to simulate ‘movements’. By extrapolating and redefining the terms of ‘movement’, be it through psychological, physical or political understandings, the work interweaves the medium of animation with a state of depression.
The chronicles of a day in the life of a nameless woman as she wanders around Singapore. Part documentary part video essay, 'Nightfall' is a fictionalized account of Suwichakornpong's time spent during a residency researching Thai politics in a foreign land.
A story about storytelling: After returning to his hometown to work in his sister’s fruit processing factory, Earth slowly but surely pulls out of the family business to dedicate himself to writing an abstract, gory novel.
Commissioned by the Abandon Normal Devices Festival as an exploration into the globalised shipping networks, liminal territories and spaces of trade and labour that converge on the port city of Laem Chabang in Thailand.
In this updated homage to the 1930 German silent film of the same title, Thai artist Tulapop Saenjaroen examines the paradox of people relaxing while being filmed. As a film shoot appears to be in perpetual delay, crew members kill time fiddling on their smartphones, all the while under the persistent gaze of the camera.
A tour guide and also a hotel rep automated voice, Kanya, leads her foreign guest, Alex, through a beach town in the east of Thailand called Bangsaen. Since Kanya's presentation is overtly aestheticized and strictly regimented, Alex decides to explore the town by himself, fantasizing to get out of the frame.
Shot on black-and-white 16mm film, Local Sensations opens a loose, playful dialogue with Chatri Prakitnonthakan’s essay, How to Design a Modern Monument That Won’t Become a Shrine. Rather than illustrating the text, the film generates pluralities—unraveling the dichotomy of object and subject—and gestures toward a kind of topological politics.
RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.
Telly Paretta is a grieving mother struggling to cope with the loss of her 9-year-old son. She is stunned when her psychiatrist reveals that she has created nine years of memories about a son she never had. But when she remembers a man who had a similar experience, Telly embarks on a search to prove her son's existence, and her sanity.
A grieving father in a downward spiral stumbles across a box of his recently deceased son's demo tapes and lyrics. Shocked by the discovery of this unknown talent, he forms a band in the hope of finding some catharsis.