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Adults have labelled everything in this world into good and bad, useful and unnecessary. Flies, for example, are an extremely boring and unpleasant phenomena, better to be killed off. Little Lilly has decided to stand up for the flies. She even presents a scientific tractata, arguing pro and contra. In protest against her father’s activities Lilly starts a hunger strike. In result the little girl becomes even less, falls into the vacuum cleaner, from there to dump and rather perilous situations. But then, it is the flies who come among others to save the girl and a happy ending of ...
An animated film compiled by David Ehrlich consisting of 27 animators from different countries all explaining themselves through their animation.
The man in the sand distributes dreams to a group of strange characters.
Heik Ernitsa's directorial debut "Encounter" is a humorous story about dreams and reality. "Street" by Valter Uusberg paints a nervous and gloomy picture of the artificial environment of the city. Mati Küti's satirical "Monument" dissects egocentrism in a grotesque tone.
Matī Kütt’s experimental short animation plunges into the subconscious of a sick society. Through abstract, painted-on-film imagery—twisted pyramids, reverse tunnels, caged woodpeckers—a lone bureaucrat’s inner turmoil unfolds. Birds, oil, and surreal figures evoke existential entrapment, as the bureaucrat’s psyche becomes a labyrinth of alienation and absurdity.
A postman endeavors to fly to the moon in one breath so he can deliver a package.
An animated opera version of "Goldfish". In this modernised version of the fairy tale of the Goldilocks, everything is absurdly modern - turned upside down. It's the story of a man who lives underwater and a fish who lives above the water in the air and can grant people's wishes. The man catches the fish and starts wanting all sorts of things, but...
Animation by Mati Kütt
Seven leading animation artists chose one poem from each Estonian poet according to their own taste and illustrated it with a two- to three-minute cartoon. Leading actors of the Estonian theater and cinema, as well as the authors of the poems themselves, took part in the dubbing.
Half the film was shot with a video camera taken from a television station without permission, the cast and staff were unpaid, and the script was written as a screenwriting class assignment.