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On a sunny day during quarantine, in the midst of a global pandemic, Vanessa and Virginia make choices for their lives.
Women writers intertwine their work in the form of an anthology in this feature film. The scripts are adapted from tales written by Brazilian women at the end of the 20th Century to create four shorts filmed by directors of groups under-represented in the cinematographic industry of Brazil of 2024. Themes such as death, healing, the body, marriage and desire are tantamount in stories in which women revisit their past in search of liberty.
Silvia is a middle-aged filmmaker in crisis with her life. The same night that she is surprised by the visit of the ex-wife, who left her a few years ago, meets another woman who fascinates her.
It looks like you're virtual, I haven't seen skin in a while.
Ana is a dedicated housekeeper, considered "part of the family". When her employer demands cod for an important dinner, and there is none at home, the desperate search for the ingredient turns into anxiety, pushing Ana to her breaking point.
Cleo, a 43-year-old astronomer who is pregnant and emotionally fragile, is surprised by a visit from Nalu, her half-sister of Indigenous descent. The encounter reveals dark secrets and stirs up fragmented memories in Cleo, leading the two of them down a path of mysterious investigations.
The couple Laura and Israël have a five-year-old son, Lucas. They live together but seem to have lost interest in one another's thoughts and cares. Their relationship seems headed for the rocks, and the only one who seems to still be looking for something from life is Lucas.
Edgar Wilson, a roadkill collector in rural Brazil, dreams of escaping his small-town existence with Nete, the love of his life. When Nete decides to join her family in an apocalyptic cult, Edgar finds himself at a crossroads. With the world on the brink of destruction, Edgar and his unlikely companion Tomás – a disgraced and excommunicated priest – embark on a dangerous road trip through a landscape plagued by chaos and despair.
Thais, Nathalia, Julia and Tetembua decide to open “The Brazilwood Store”, a men’s escort company as a solution to womxn's desires in search of casual sex.
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.