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If this is heaven, bring on the afterlife! The spirits of legendary Hungarian filmmakers Michael Curtiz and Gábor Bódy meet in a metaphysical screening room, while on the screen footage plays of classic twentieth-century films.
1990, after the fall. A man struggles to survive in the forest, living alone in a small cabin. One day he spots a mysterious child in an abandoned summer camp.
A retelling of Shakespeare's play from within the mind of the protagonist. The psychedelic appeal of the film was created with hand painted and rotten 35 mm and 16 mm celluloid strips.
Dr. Moreau is an abstract horror short, adapted from H.G.Wells' classic novel, that will invite the viewer to board on a tangible journey to the borders of science, where the differences between nature and humanity are blurred.
The film attempts to stimulate without dialogue and with not too exciting storyline, using only images, sounds, film-noir and usual horror elements.
The Philosophy of Horror – A Symphony of Film Theory is an abstract adaptation of Noël Carroll’s influential film theoretical book of the same title (published in 1990), which is a close examination of the horror genre. Our film uses hand painted and decayed 35 mm film strips of the classic slasher movie A Nightmare on Elm Street (Wes Craven, 1984) and its sequel A Nightmare on Elm Street 2: Freddy's Revenge (1985).
In early 2020, MUTA - International Festival of Audiovisual Appropriation and Cine Íntimo rescued and digitised a Peruvian archive of orphaned 8mm and Super 8 home movies. With the aim of restoring these lost memories, we sent the images around the world. This omnibus film is the result of the intervention of this material, by 14 experimental filmmakers. Fourteen perspectives and ways of experiencing appropriation. Fourteen variations on the intimate.
A collage crime movie from the first novel of Agatha Christie.
The film approaches Orwell's Nineteen Eighty-Four as a speculative archaeology: the visual markers of consumer society and political propaganda emerge through damaged advertisements and printed political materials.
An experimental reinterpretation of Dracula, this film fuses analog and digital decay-from Super 8 to 35mm-into a glitch-infused vision that transforms the novel's gothic eroticism into a haunting new audiovisual experience.