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A psychedelic docu-essay, inspired by Arthur Rimbaud’s visionary poem Une Saison en Enfer, in which the poet’s ghost travels through history, encountering revolutionary figures and queer ‘freaks’ such as Emma Goldman, David Wojnarowicz, and Marsha P. Johnson. These encounters form a multilayered collage that interrogates identity, the meaning of revolution, and the role of the artist in shaping radical histories and collective imaginaries.
Golfe is an adaptation of the 19th-century bucolic idyll of Golfo and the eponymous first silent feature film of Greek cinema in 1914. The film reimagines the classic late 19th-century greek drama in a 21st-century context rethinking the recent European economic and political crisis between Greece and Germany. The new story of Golfe highlights particular ideological traits that gained popularity within the indignation movement and parliamentary politics in Greece during the time of an imminent Grexit. The film employs elements of Esoteric Nazism, Perennialism, Eurasianism, and the Third-Rome doctrine to reflect on nationalism and the dark ideological intricacies of that period.
A diaristic chronicle around the injured body, pain, mourning, obsessive thoughts and the inability to communicate. Veronique and Filtig build a complex relational drama where family trauma meets post-apocalyptic despair.
Trud is a video performance/comment on the capitalist production and reproduction of the self. Between welding and ironing, everything is work, labor, pain.
Brace yourselves for a meta-tantric experience, where affirmation and post/anti-cybernetic nature unite. Discarding a world of deception and illusionary appearance, subjects and objects collide in a carnal triumph. At once earthly and metaphysical. Combustion of intertwining remains.
A short film based on the short story "3.14 thoughts in order not to think of you" from Andriana Minou's book, "Underage Noirs" (Strange Days Books). Featuring Alpha Kartsaki and voiced by Tianna Rowland-Furini. It was filmed on a 1984 VHS Panasonic camcorder.
Two newly dead young people meet in the streets of Athens, amid the pulsing cityscape and the ghosts of history. One a translator, the other a photographer, they were outsiders in life; in death they struggle with the residue of their longings and mistakes. They wander the city together, finding consolation in the difficult beauty of existence and its aftermath.
FYTA become plants dressing up as people staging a theater play about plants. The mirroring of embodiment, fantasy and representation creates a series of surreal interactions where sexuality meets relaxation, impossible relationships find theatrical resolutions and an excursion to a deserted resort turns into post-human documentary on nature.
Avant-Drag! paints portraits of ten drag artists of varying gender expressions and sexualities who take to the streets of Athens to query, problematise and (yes, please!) undermine social strictures. Employing wildly imagined personas – like riot housewives and Albanian turbo-folk girls – who perform acts as revolutionary as praising abortion and as charming as drawing childish pictures, these artists call for social justice by taking aim at conservatism, patriarchy, patriotism, racism and sexism.
Miles Monroe, a clarinet-playing health food store proprietor, is revived out of cryostasis 200 years into a future world in order to help rebels fight an oppressive government regime.